| |
Partitura vocal
Título por Autor: Madrigals for Five Voices. Book III, SV 60–74
Instrumentação |
Contra Alto, Tenor, Baixo, Voz |
Composição para |
Quinteto |
Tipo de composição |
Partitura vocal |
Editora |
Ricciardo Amadino |
idioma |
Italiano |
dificuldade |
Advanced |
Ano de composição |
1600 |
Partes
Título por Autor: Madrigals for Five Voices. Book III – Parts, SV 60–74
Instrumentação |
Contra Alto, Tenor, Baixo, Voz |
Composição para |
Quinteto |
Tipo de composição |
Partes |
Editora |
Ricciardo Amadino |
idioma |
Italiano |
dificuldade |
Advanced |
Ano de composição |
1600 |
Arrangement for quintet instruments
Título por Autor: Monteverdi - The Third Book of Madrigals (1592) (Complete)
Instrumentação |
Clarinete, Saxofone, Fagote, Oboé, Trombone baixo, Trombone tenor, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Tuba, Chifre do Tenor, Clarinete baixo, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 20 de 20 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
68'41 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
There are three scenas in this book. The first comprises Nos. 8 - 10, the second is made up of Nos. 15 - 17 and the final one is Nos. 19 - 20.
Parts supplied:
Part 1 in Bb
Part 2 in Bb
Part 3 in Eb/F
Part 4 in Bb/C(BC)
Part 5 in Eb/C(BC)/Bb
Other parts may be requested free of charge.
No.01 La giovinetta pianta. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 01. La giovinetta pianta
Instrumentação |
Clarinete, Saxofone, Fagote, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 1 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'7 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The first song "La giovinetta pianta" speaks of a young plant growing into the sunlight and being attached to its roots. This is a typical Renaissance song with loads of hidden meaning and double entendres.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.02 O Come e Gran Martire. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 02. O Come e Gran Martire
Instrumentação |
Clarinete, Saxofone, Fagote, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
2 para 2 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'9 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
Song number two "O Come e Gran Martire" and is an attempt to persuade a young lady to dally by proclaiming how much of a martyr he is to hide his desires!
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.03 Sovra Tenere Herbette. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 03. Sovra Tenere Herbette
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
3 para 3 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'36 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
For those familiar with songs of this time, No3 is about the shepherdess, Phyllis, famous of many a song of the time and the pleading of her lover.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.04 O Dolce Anima Mia. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 04. O Dolce Anima Mia
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
4 para 4 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
5'10 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The fourth song, "O Dolce Anima Mia" is a song about the search for love.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.05 Stracciami Pur Il Core. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 05. Stracciami Pur Il Core
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
5 para 5 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'53 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The fifth song, "Stracciami Pur Il Core" is a song about carnal love.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.06 O Rossignuol. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 06. O Rossignuol
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
6 para 6 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'24 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The sixth song, "O Nightingale" is a song expressing the lover's feelings about the song of teh nightingale.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.07 Se Per Estremo Ardore. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 07. Se Per Estremo Ardore
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
7 para 7 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'41 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 7th song, "Se Per Estremo Ardore" expresses the extreme desire of the singer for his lover.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.08 Vattene pur crudel. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 08. Vattene pur crudel
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
8 para 8 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'4 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 8th song, "Vattene pur crudel" is a song about the a man losing his lover, albeit temporarily, as he refuses to follow her.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.09 La tra'l sangue. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 09. La tra'l sangue
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
9 para 9 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'18 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 9th song, "La Tra'l Sangue" is a song about love and war. The opening words are "Between the blood and the dead".
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.10 Poi ch'ella. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 10. Poi ch'ella
Instrumentação |
Clarinete, Saxofone, Fagote, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
10 para 10 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'26 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 10th song, "Poi ch'ella" begins as follows: "Then he returned deserted and silent as far as he could see."
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Parts supplied:
Part 1 in Bb
Part 2 in Bb
Part 3 in Eb/F
Part 4 in Bb/C(BC)
Part 5 in Eb/C(BC)/Bb
No.11 O Primavera. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 11. O Primavera
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Barítono, Saxofone soprano, Gravador tenor, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
11 para 11 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'40 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 11th song, "O Primavera" extolls the virtues of young love in the spring, when the humours are rising.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.12 Perfidissimo volto. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 12. Perfidissimo volto
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
12 para 12 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'10 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 12th song, "Perfidissimo volto" begins as follows: "The most treacherous face of beauty"
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.13 Ch'io non t'ami. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 13. Ch'io non t'ami
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
13 para 13 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'56 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 13th song, "Ch'io non t'ami" begins as follows: "That I do not believe that you are my life and I yours."
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Parts supplied:
Part 1 in Bb
Part 2 in Bb
Part 3 in Eb/F
Part 4 in Bb/C(BC)
Part 5 in Eb/C(BC)/Bb
No.14 Occhi un tempo mia vita. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 14. Occhi un tempo mia vita
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
14 para 14 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
5'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 14th song, "Occhi un tempo mia vita" begins as follows: "See a time in my life, See this heart I trust" - it has just been spurned by his lady friend!
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.15 Vivrò fra i miei. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 15. Vivrò fra i miei
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
15 para 15 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
1'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 15th song, "Vivrò fra i miei" begins as follows: "I will live among my own torments." It is another song of rejection! This song begins the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.16 Ma Dove o Lasso. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 16. Ma Dove o Lasso
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
16 para 16 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
3'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 16th song, "Ma Dove o Lasso" begins as follows: "But where do I leave the remains of the body" It is another song of pleading! This song is the second part of the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.17 Io pur verrò. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 17. Io pur verrò
Instrumentação |
Clarinete, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
17 para 17 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 17th song, "Io pur verrò" begins as follows: "I will come when I am thirsty and you will have my thirst for love." It concludes the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download as the singer conquers his lady's reluctance.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.18 Lumi miei cari. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 18. Lumi miei cari
Instrumentação |
Clarinete, Saxofone, Fagote, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
18 para 18 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 18th song, "Lumi miei cari" begins as follows: "My dear, lights flash in a quick glance that flies then turns slowly"
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.19 Rimanti in pace. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 19. Rimanti in pace
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
19 para 19 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 19th song, "Rimanti in pace" begins as follows: "Rest peacefully" It is another song of about our shepherdess, Phyllis! This song begins the final 'scena' within this book, a group of two linked songs (Nos 19-20) which is also available as a single download.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
No.20 Ond'ei di morte. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - 20. Ond'ei di morte
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
20 para 20 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The 20th and final song, "Ond'ei di morte" begins as follows: "His face was imprinted with death" The lover has succeeded in 'dying' (a euphemism). This song ends the book and is the climax of the final 'scena', a group of two linked songs (Nos 19-20) which is also available as a single download.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
Scena 1. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - Scena 1
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
8 para 10 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
8'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The first 'Scena' in book 3 starts with no 8, "Vattene pur crudel".
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Parts supplied:
Part 1 in Bb
Part 2 in Bb
Part 3 in Eb/F
Part 4 in Bb/C(BC)
Part 5 in Eb/C(BC)/Bb
Scena 2. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - Scena 2
Instrumentação |
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
15 para 17 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
6'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
The second 'Scena' begins with no 15 "Vivrò fra i miei" This is another 3 part scene with contrasting sections using related material.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
Scena 3. Arrangement for quintet instruments
Título por Autor: Monteverdi Madrigals Book 3 - Scena 3
Instrumentação |
Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone soprano, Bass Tuba |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
23 para 23 de 23 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
8'0 |
Gênero |
Clássico/Arranjo |
Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena" - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals.
This is the third and final scena in the third book. It comprises only two songs, but is much more dramatic in its subject matter and music than the previous two.
As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.
Flexible quintet parts are supplied as follows:
Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
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