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Madrigals • Book 4 (a cinque voci), SV 75–93

Clássico/Motete • 1603 • Titulo arternativo: Il quarto libro de madrigali a cinque voci
 
 
   
 

Partitura vocal

Título por Autor: Madrigals for Five Voices. Book IV, SV 75–93


1.45 USD

vendedor PlaceArt
PDF, 5.26 Mb ID: SM-000059540 data do carregamento: 03 mar 2011
Instrumentação
Contra Alto, Tenor, Baixo, Voz
Composição para
Quinteto
Tipo de composição
Partitura vocal
Editora
Ricciardo Amadino
idioma
Italiano
dificuldade
Advanced
Ano de composição
1600
  • comentários

Partes

Título por Autor: Madrigals for Five Voices. Book IV – Parts, SV 75–93


Grátis

autor PlaceArt
PDF, 9.43 Mb ID: SM-000075320 data do carregamento: 22 ago 2011
Instrumentação
Contra Alto, Tenor, Baixo, Voz
Composição para
Quinteto
Tipo de composição
Partes
Editora
Ricciardo Amadino
idioma
Italiano
dificuldade
Advanced
Ano de composição
1600
  • comentários

Arrangement for quintet instruments

Título por Autor: Monteverdi - The Fourth Book of Madrigals (1603) (Complete)

ler a lisença
125.00 USD

vendedor Mike Lyons
PDF, 2.79 Mb ID: SM-000294303 data do carregamento: 15 ago 2017
Instrumentação
Clarinete, Saxofone, Fagote, Oboé, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 20 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
74'42
Gênero
Clássico/Arranjo
n this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking.

He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

All 20 madrigals are here:

1. Ah! Dolente Partita – Oh, Sweet Parting!

2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you.

3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

4. Sfogava con le stelle – He dallied with the stars

5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining

6. Anima mia perdona – My soul forgives

7. Che se tu se ' il cor mio – That if you are as good as my heart

8. Luci Serene e Chiare – Lights, serene and clear

9. La piaga c'ho nel core – The plague is in the heart

10. Voi pur da me partite – You do not mind me, though

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

12. Ohime se Tanto Amate – Alas! If you like it too much

13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing

14. Quel Augellin Che Canta – That little bird that sings

15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes

16. Si Ch'io Vorrei Morire – How I want to die

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

18. Anima Del Cor Mio – My soul’s heart

19. Longe da Te Cor Mio – Stay away from me

20. Piagne e Sospira – He drinks and sighs
Parts are supplied to suit flexible brass or wind (or both) quintets as follows:

Part 1 in Bb, Part 2 in Bb, Part 3 in Eb/F/Bb, Part 4 in Bb/C(BC) and part 5 in Eb/Bb/C(BC)
  • comentários

No.01 Ah! Dolente partita. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 01. Ah! Dolente partita

ler a lisença
5.99 USD

vendedor Mike Lyons
PDF, 375.8 Kb ID: SM-000296018 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 1 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Arranjo
In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.



1. Ah! Dolente partita – Oh, Sad parting!
This song speaks of leaving one's lover, but the text is rife with double entendres.

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.02 Cor mio mentre vi miro. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 02. Cor mio mentre vi miro

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 334.6 Kb ID: SM-000296019 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
2 para 2 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

2. Cor mio mentre vi miro – My Heart as I dream I turn into you.
Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.03 Cor mio non mori - emori? Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 03. Cor mio non mori - emori?

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 346.5 Kb ID: SM-000296021 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
3 para 3 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.
3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.04 Sfogava con le stelle. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 04. Sfogava con le stelle

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 374.0 Kb ID: SM-000296022 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
4 para 4 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

4. Sfogava con le stelle – He dallied with the stars

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.05 Volgea l'anima mia. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 05. Volgea l'anima mia

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 371.1 Kb ID: SM-000296023 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
5 para 5 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.


5. Volgea l'anima mia – Volgea my soul, so dear and sweetly shining

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.06 Anima mia perdona. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 06. Anima mia perdona

ler a lisença
5.99 USD

vendedor Mike Lyons
PDF, 348.1 Kb ID: SM-000296024 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
6 para 6 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

6. Anima mia perdona – My soul forgive

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.07 Che se tu se'il cor mio. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 07. Che se tu se'il cor mio

ler a lisença
3.99 USD

vendedor Mike Lyons
PDF, 351.4 Kb ID: SM-000296025 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
7 para 7 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

7. Che se tu se'il cor mio – That if you are as good as my heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.08 Luci serene e chiare. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 08. Luci serene e chiare

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 369.5 Kb ID: SM-000296026 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
8 para 8 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

8. Luci serene e chiare – Lights, serene and clear

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.09 La piaga c'ho nel core. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 09. La piaga c'ho nel core

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 327.0 Kb ID: SM-000296027 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
9 para 9 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

9. La piaga c'ho nel core – The plague is in the heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.10 Voi pur da me partite. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 10. Voi pur da me partite

ler a lisença
5.99 USD

vendedor Mike Lyons
PDF, 362.2 Kb ID: SM-000296028 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
10 para 10 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
6'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

10. Voi pur da me partite – You do not mind me, though

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.11 A un Giro Sol de' Begl' Occhi. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 11. A un Giro Sol de' Begl' Occhi

ler a lisença
3.99 USD

vendedor Mike Lyons
PDF, 368.1 Kb ID: SM-000296029 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
11 para 11 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.12 Ohime se Tanto Amate. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 12. Ohime se Tanto Amate

ler a lisença
5.99 USD

vendedor Mike Lyons
PDF, 345.1 Kb ID: SM-000296030 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
12 para 12 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

12. Ohime se Tanto Amate – Alas! If you like it too much

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.13 Io mi son giovinetta. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 13. Io mi son giovinetta

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 428.8 Kb ID: SM-000296031 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
13 para 13 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

13. Io mi son giovinetta – I’m a young girl, laughing and singing

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.14 Quel augellin che canta. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 14. Quel augellin che canta

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 386.7 Kb ID: SM-000296032 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
14 para 14 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
2'0
Gênero
Clássico/Arranjo
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

14. Quel augellin che canta – That little bird that sings

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.15 Non più guerra pietate. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 15. Non più guerra pietate

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 376.8 Kb ID: SM-000296034 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
15 para 15 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

15. Non più guerra pietate – No more fighting, pray, my beautiful eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.16 Si ch'io vorrei morire. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 16. Si ch'io vorrei morire

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 381.5 Kb ID: SM-000296035 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
16 para 16 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

16. Si ch'io vorrei morire – How I want to die

There are some very 'tricky' clashes which need to be handled in a vocal style. Plenty of vibrato and confidence is needed to pull these off.


Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.17 Anima dolorosa. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 17. Anima dolorosa

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 362.0 Kb ID: SM-000296036 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
17 para 17 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

17. Anima dolorosa – Suffering soul that lives so much pain and torment

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários

No.18 Anima del cor mio. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 18. Anima del cor mio

ler a lisença
3.99 USD

vendedor Mike Lyons
PDF, 342.9 Kb ID: SM-000296038 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
18 para 18 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
2'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

18. Anima del cor mio – My soul’s heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.
  • comentários

No.19 Longe da te cor mio. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 19. Longe da te cor mio

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 340.3 Kb ID: SM-000296039 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Barítono, Saxofone soprano, Gravador tenor, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
19 para 19 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

19. Longe da te cor mio – Stay away from me

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request
  • comentários

No.20 Piagne e sospira. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 4 - 20. Piagne e sospira

ler a lisença
5.99 USD

vendedor Mike Lyons
PDF, 394.8 Kb ID: SM-000296040 data do carregamento: 05 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
20 para 20 de 20
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
7'0
Gênero
Clássico/Arranjo
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

20. Piagne e sospira – He drinks and sighs

This is a very complex song, needing lots of breath control and a strong sense of how the music flows. More so than almost any other song in this book.

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • comentários
 
 
   
   
 
 
   
 
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