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La Vega

Clássico/Peça
 
 
   
 

Para Piano

Título por Autor: La Vega


1.45 USD

vendedor PlaceArt
PDF, 1.46 Mb ID: SM-000060038 data do carregamento: 07 mar 2011
Instrumentação
Piano
Composição para
Solo
Tipo de composição
For a single performer
chave
Lá (A) bemol menor
dificuldade
Advanced
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para orquestra sinfonica

Título por Autor: Albeniz/Leytush – 'La Vega' (The Alhambra)
La Vega: para orquestra sinfonica by Isaac Albéniz


80.00 USD

vendedor Arkady Leytush
PDF, 9.24 Mb ID: SM-000370875 data do carregamento: 02 set 2019
Instrumentação
Flauta, Flauta piccolo, Clarinete, Fagote, Oboé, Trombone baixo, Trompa francesa, Trombone, Trombeta, Tuba, Violino, Viola, Violoncelo, Contrabaixo, Harpa, Tarola, Gongo, Triângulo, Timbales, Címbalos, Tantã, Castanhola, Bombo, Clarinete baixo, Maracas, Saxofone soprano
Composição para
Orquestra Sinfônica
Tipo de composição
Partitura completa
chave
Lá (A) bemol menor
Arrajador
Arkady Leytush
Editora
Arkady Leytush
dificuldade
Advanced
duração
12'30
Gênero
Clássico/Sinfonia musical
The composition of Albeniz's "La Vega" completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after "La Vega", although his fame was mainly focused on the works for this instrument. Although "La Vega" was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished "La Vega" at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: "La Alhambra", symphonic suite on poems by F. B. Money-Coutts: nº 1: "La Vega".

Orchestra:
Piccolo, Flute, Oboe, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings.
  • comentários
comments Arkady Leytush 11 set 2019 19:46

The composition of Albeniz's "La Vega" completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after "La Vega", although his fame was mainly focused on the works for this instrument. Although "La Vega" was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished "La Vega" at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: "La Alhambra", symphonic suite on poems by F. B. Money-Coutts: nº 1: "La Vega".

 
 
   
   
 
 
   
 
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