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La boda de Luis Alonso. Intermedio
Clássico/Arranjo • Titulo arternativo: La boda de Luis Alonso. Intermedio
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Para Piano
Título por Autor: La boda de Luis Alonso. Intermedio, for Piano
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
Partitura piano |
chave |
Lá (A) maior |
Editora |
Unión Musical Española |
dificuldade |
Advanced |
para duas guitarras
Título por Autor: La Boda de Luis Alonso - Intermedio by Gerónimo Giménez
Instrumentação |
Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Partes |
chave |
Lá (A) menor |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Tony Hauser |
Editora |
Tony Hauser |
dificuldade |
Advanced |
duração |
5'40 |
Ano de composição |
1897 |
Gênero |
Clássico |
La Boda de Luis Alonso 1897 and its predecessor El Baile de Luis Alonso are two of the most beloved zarzuelas of the Spanish repertoire. The “Intermedio” presented here is an arrangement from the orchestral score of the instrumental section of the opera. I was approached by my friend and wonderful flamenco guitarist Pedro Cortes to make an arrangement for two guitars that he could perform with a dancer. This is a common choreography in the classical Spanish dance repertoire. After I made the arrangement I discovered that my teacher in Spain, Luis Maravilla, had made an arrangement which unfortunately may be out of print.
I offer two publications fully notated for two guitars and a version of the same that includes tablature that may interest flamenco guitarists.
For two guitars with tablature
Título por Autor: La Boda de Luis Alonso - Intermedio by Gerónimo Giménez arr. with tablature
Instrumentação |
Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Partes, Tablatura |
chave |
Lá (A) menor |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Tony Hauser |
Editora |
Tony Hauser |
dificuldade |
Advanced |
duração |
5'40 |
Gênero |
Clássico |
La Boda de Luis Alonso 1897 and its predecessor El Baile de Luis Alonso are two of the most beloved zarzuelas of the Spanish repertoire. The “Intermedio” presented here is an arrangement from the orchestral score of the instrumental section of the opera. I was approached by my friend and wonderful flamenco guitarist Pedro Cortes to make an arrangement for two guitars that he could perform with a dancer. This is a common choreography in the classical Spanish dance repertoire. After I made the arrangement I discovered that my teacher in Spain, Luis Maravilla, had made an arrangement which unfortunately may be out of print.
I offer two publications fully notated for two guitars and a version of the same that includes tablature that may interest flamenco guitarists.
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