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No.4 Bransles
Título por Autor: Capriol Suite. Bransles, for Piano
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Sol (G) menor |
Editora |
J. Curwen & Sons Ltd |
dificuldade |
Advanced |
Instrumentação |
Flauta |
Gênero |
World / Etnico |
Instrumentação |
Piano |
Gênero |
Clássico |
No.2 Pavane, for bassoon and piano
Título por Autor: Pavane from the Capriol Suite arranged for Bassoon and Piano
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
Arrajador |
Andrew Moore |
Editora |
Andrew Moore |
dificuldade |
Medium |
Gênero |
Clássico/Arranjo |
The second of the characterful dances from Peter Warlock's Capriol Suite is presented here in a straightforward and enjoyable arrangement for bassoon and piano. Other movements from the suite are also available separately. The score (bassoon and piano parts) comprise 5 pages
No.5-6
Título por Autor: Capriol Suite. Pieds en l'Air and Mattachins, for Piano
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
For a single performer |
Editora |
J. Curwen & Sons Ltd |
dificuldade |
Advanced |
No.5 Pieds en l'air, for bassoon and piano
Título por Autor: Pieds en l'air from the Capriol Suite arranged for Bassoon and Piano
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Andrew Moore |
Editora |
Andrew Moore |
dificuldade |
Medium |
Gênero |
Clássico/Arranjo |
The fifth of the characterful dances from Peter Warlock's Capriol Suite is presented here in a straightforward and enjoyable arrangement for bassoon and piano. Other movements from the suite are also available separately. The bassoon and piano scores comprise 4 pages in total.
No.5 Pieds en l'air, for cello
Instrumentação |
Violoncelo |
Gênero |
Clássico |
No.5 Pieds en l'air, for cello and piano
Instrumentação |
Piano, Violoncelo |
Gênero |
Clássico |
No.5 Pieds en l'air, for violin
Instrumentação |
Violino |
Gênero |
Clássico |
No.5 Pieds en l'air, for violin and piano
Instrumentação |
Piano, Violino |
Gênero |
Clássico |
Complete set, for flute choir
Título por Autor: Capriol Suite
Instrumentação |
Flauta, Flauta piccolo, Alto Flute, Flauta baixo |
Composição para |
Conjunto Grande (9 ou mais participantes) |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 6 de 6 |
Arrajador |
L. van Burken |
Editora |
L. van Burken |
dificuldade |
Advanced |
duração |
13'0 |
Ano de composição |
1926 |
Gênero |
Clássico/Música de Câmara |
Capriol Suite (1926)
by Peter Warlock (1894–1930)
Arranged for 7 Flutes, Alto Flute, and Bass Flute, by L. M. van Burken
Peter Warlock was the pen name of British composer Philip Arnold Heseltine. He was a music
critic, editor, and serious scholar of early music. Heseltine used his real name for his writing and
reserved "Peter Warlock" for his musical compositions and arrangements.
Capriol Suite, written in 1926, was originally a collection of six dances for string orchestra, all
inspired by Renaissance music. Each of the six movements is based on melodies from a manual
of Renaissance dances by a French priest named Jehan Tabourot (1519–95). While the suite
incorporates these Renaissance dance tunes, Capriol Suite is really more of a fresh composition
than a straightforward arrangement. Warlock takes a lot of creative freedom with the original
melodies, turning them into something entirely new and different from their historical roots.
In this piece, you’ll hear a blend of Renaissance dance forms with 20th-century harmonies,
creating a unique and captivating example of neo-Renaissance style in music.
Performance Notes:
Lean into the dissonances; they are intentional.
The tempo markings are suggestions.
While this arrangement was originally written for a large flute choir, it can be adapted to
various ensemble configurations.
The ensemble should be organized into four sections, as the parts within each section are
closely related:
Section 1: Piccolo, Flute 1, Flute 2
1.
Section 2: Flute 3, Flute 4
2.
Section 3: Flute 5, Flute 6
3.
Section 4: Flute 7, Alto Flute, Bass Flute
4.
Note: The Flute 7 and Alto Flute parts are identical, so either one can be omitted if
necessary.
YouTube Link Performed by Tutti Flutti flute ensemble, directed by Rogier de Pijper, February 20, 2025, Utrecht, Netherlands.
https://youtu.be/9TX4-Tq0Obo?si=Mxw9BkK6Q4cIPVnT
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