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Destiny
Clássico/Sinfonia musical • 1998
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partitura completa
Título por Autor: Destiny
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Trompa francesa, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Timbales, Címbalos, Contrafagote, Bombo, Clarinete baixo, Caixa Chinesa, Tantã, Trombone contrabasso |
Composição para |
Orquestra Sinfônica |
Tipo de composição |
Partitura completa |
movimento(s) |
0 para 0 de 1 |
Editora |
Sonja Grossner |
duração |
8'0 |
(for full orchestra)
Was written October – November 1998. It is a dramatic exiting piece in 4 sections. The main theme introduced in the 1st section, is a twelve tone row representing the 12 months of the year. It is repeated in different ways, not only rhythmic, but also in mirror reflection and as a semi-quaver motive. A quaver motive represents the beat of a human heart. The title “Destiny” seemed appropriate for this idea. Although the work has a dramatic character, it should also convey the attitude that determination and resolution can determine one’s Destiny. The third section dissolves into a dramatic rhythmic conversation between percussion and strings before returning to the opening material. The piece ends with the calling of trumpets and trombones.
partes
Título por Autor: Destiny – parts
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Trompa francesa, Trombone, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Timbales, Contrafagote, Clarinete baixo, Percussão |
Tipo de composição |
Partes |
movimento(s) |
1 para 1 de 1 |
Editora |
Sonja Grossner |
dificuldade |
Advanced |
duração |
10'0 |
Gênero |
Clássico |
DESTINY was written October- November 1998. It is a dramatic exciting piece in four sections.
The main theme introduced in the first section, is a twelve tone row representing the 12 months of the year against a quaver motive - as heartbeat. It is repeated in different ways, not only rhythmic, but also in mirror reflection and as a semi-quaver motive.
A tonal motive is repeated against the 12-tone tune.
The title “Destiny “ seemed appropriate for this idea.
Although the work has a dramatic character, it should also convey the attitude that determination and resolution can determine one’s Destiny.
The third section dissolves into a dramatic rhythmic conversation between percussion and strings before returning to the opening themes. The piece ends with the calling of trumpets and trombones.
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