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Ich steh mit einem Fuss im Grabe, BWV 156

Классика/Кантата • Альтернативное название: Kantate 'Ich steh mit einem Fuß im Grabe!'
 
 
   
 

Партитура

Название пользователя: Кантата 'Я стою одной ногой в могиле', BWV 156


Бесплатно

Разместил(а) Библиотека
PDF, 1.02 Мб ID: SM-000015699 Дата публикации: 26 мар 2010
Инструменты
Клавесин, Гобой, Скрипка, Альт, Сопрано, Контральто, Тенор, Бас, Смешанный хор
Состав исполнителей
Солисты, Хор, Камерный оркестр
Тип нот
Партитура
Тональность
Фа мажор
Издатель
Bach-Gesellschaft Ausgabe
Язык
Немецкий
Уровень сложности
Выше среднего
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Клавир с вокальной партией

Название пользователя: Кантата 'Я стою одной ногой в могиле' (для хора и фортепиано), BWV 156


Бесплатно

Разместил(а) Библиотека
PDF, 1.44 Мб ID: SM-000015708 Дата публикации: 26 мар 2010
Инструменты
Фортепиано, Контральто, Тенор, Бас, Смешанный хор
Состав исполнителей
Солисты, Аккомпанирующее фортепиано, Хор
Тип нот
Клавир с вокальной партией
Тональность
Фа мажор
Издатель
Breitkopf und Härtel
Язык
Английский, Немецкий
Уровень сложности
Выше среднего
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Arranged for cello quartet

Название пользователя: Sinfonia from 'Ich Steh Mit Einem Fuß im Grabe' (Arranged for Cello Quartet), BWV 156

Прочитать лицензию
2.00 USD

Продавец Bloux Note Music
PDF, 729.3 Кб ID: SM-000232879 Дата публикации: 09 окт 2015
Инструменты
Виолончель, Контрабас
Состав исполнителей
Квартет
Тип нот
Партитура, Партии
Тональность
Фа мажор
Аранжировщик
Bloux Note Music
Издатель
Bloux Note Music
Уровень сложности
Очень легко
Время звучания
2'10
Год создания
1729
Жанр
Классика/Камерная музыка
"Sinfonia" from "Ich Steh Mit Einem Fuß im Grabe", BWV 156 by Johann Sebastian Bach arranged for Cello Quartet.

This piece is part of the Gig Series, and has been arranged in a manner allowing for a wider range of groups to perform it. The intention of this line of arrangements is to allow any group at a high school level or above to play fun, quality music. All parts are written in bass clef, and no notes above A4 are required of any players. Some parts may occasionally have ossia passages notated that are more difficult, but these are optional

This arrangement is not currently part of any compilation.

Though this arrangement is for cello quartet, an optional double bass part has been included should a player be available.

Currently, there are no other arrangements of this piece available from Bloux Note Music.

Purchase of this arranement includes:

Full Score (2 pages)
Cello I (1 page)
Cello II (1 page)
Cello III (1 page)
Cello IV (1 page)
Double Bass (1 page)
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Arioso, for guitar

Название пользователя: Arioso (from Sinfonia BWV 156)


1.50 USD

Продавец Donald Sade
PDF, 195.2 Кб ID: SM-000212704 Дата публикации: 17 окт 2014
Инструменты
Классическая гитара
Состав исполнителей
Соло
Тип нот
Для одного исполнителя
Тональность
Соль мажор
Части
1 до 1 из 1
Аранжировщик
Donald Sade
Издатель
Donald Sade
Уровень сложности
Средний уровень
Время звучания
1'20
Год создания
2013
Жанр
Классика
The Arioso from J. S. Bach’s Sinfonia (BWV 156) has been transcribed for many combinations of instruments, and for many solo instruments, including guitar. This transcription, for classical guitar, is based on the Neue Ausgabe Sämtlicher Werke published in 1996 by the Johann-Sebastian-Bach Institut Göttingen and the Bach-Archiv Leipzig (Bärenriter, Kassel). This edition is based on manuscripts from the 18th and 19th century, not in J. S. Bach’s handwriting, and is scored for Oboe, Violins I and II, Viola, and Violone or Organ continuo in F major. In the transcription for Guitar I tried to preserve the sense of the continuo and the inner parts in a single bass line as far as the limited octave range of the Guitar allowed. The transcription is transposed to G major, a friendlier key for guitar. The original Arioso is one movement of a larger work and ends on the dominant chord, but because the Guitar transcription is intended as a complete piece in itself I resolve it to the tonic.
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Arioso, for guitar

Название пользователя: Sinfonia (Arioso) from Cantata, BWV 156


5.00 USD

Продавец Marco Sgura
PDF, 181.0 Кб ID: SM-000325915 Дата публикации: 12 фев 2018
Инструменты
Классическая гитара
Состав исполнителей
Соло
Тип нот
Для одного исполнителя
Аранжировщик
Marco Sgura
Издатель
Marco Sgura
Уровень сложности
Выше среднего
Жанр
Классика
[Arr. for Guitar]
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Arioso, für BassBlockflöte

Название пользователя: Arioso, BWV 156


Бесплатно

Разместил(а) Othmar Endelweber
PDF, 181.1 Кб ID: SM-000335326 Дата публикации: 03 июн 2018
Инструменты
Блокфлейта бас
Состав исполнителей
Соло
Тип нот
Для одного исполнителя
Тональность
Соль мажор
Аранжировщик
Othmar Endelweber
Издатель
Othmar Endelweber
Уровень сложности
Сложно
Время звучания
4'50
Жанр
Классика
aus der Kantate BWV 156
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Arioso, for quintet recorders

Название пользователя: Arioso from J. S. Bach's Cantata, BWV 156

Прочитать лицензию
4.99 USD

Продавец Annie Helman
PDF, 837.8 Кб ID: SM-000353664 Дата публикации: 18 апр 2019
Инструменты
Блокфлейта тенор, Блокфлейта сопрано, Блокфлейта альт, Блокфлейта бас, Блокфлейта большой бас
Состав исполнителей
Квинтет
Тип нот
Партитура, Партии
Тональность
Фа мажор
Аранжировщик
Annie Helman
Издатель
Annie Helman
Уровень сложности
Средний уровень
Время звучания
2'30
Год создания
2019
Жанр
Классика/Ария
This marvellous aria is also known as Adagio in G. I have, however, trasnposed it to F so as to simplify the recorder playing.
I have arranged it for SATBGb recorder quintet. The entire score, as well as each part separately, are all included here in the PDF. Also included is the greatbass part in both bass and treble clefs, as many players find the treble easier to read.
Hope you enjoy!
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Arioso, für Posaune

Название пользователя: Bach Arioso, BWV 156


1.00 USD

Продавец Christoph
PDF, 594.1 Кб ID: SM-000381771 Дата публикации: 06 мар 2020
Инструменты
Тромбон
Тип нот
Для одного исполнителя
Аранжировщик
Christoph
Издатель
Christoph
Уровень сложности
Средний уровень
Год создания
2019
Жанр
Классика/Пьеса
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Nr.1 Sinfonia, für Klavier

Ноты для печати, 1 копия • количество страниц: 2, ID: SM-000089804
4.99
 
USD
Инструменты
Фортепиано
Жанр
Классика
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No.1 I Stand At The Threshold for Alto Clarinet & Piano

Название пользователя: Bach: I Stand At The Threshold for Alto Clarinet and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 659.1 Кб ID: SM-000509247 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Альт-кларнет
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Alto Flute & Piano

Название пользователя: Bach: I Stand At The Threshold for Alto Flute and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 663.0 Кб ID: SM-000509248 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Альтовая флейта
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Alto Sax & Piano

Название пользователя: Bach: I Stand At The Threshold for Alto Sax and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 555.9 Кб ID: SM-000509249 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Саксофон альт
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Clarinet & Piano

Название пользователя: Bach: I Stand At The Threshold for Clarinet and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 657.6 Кб ID: SM-000509250 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Кларнет
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Flute & Piano

Название пользователя: Bach: I Stand At The Threshold for Flute and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 655.5 Кб ID: SM-000509251 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Флейта
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for French Horn & Piano

Название пользователя: Bach: I Stand At The Threshold for French Horn and Piano, BWV 156


16.95 USD

Продавец James Guthrie
PDF, 657.2 Кб ID: SM-000509252 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Валторна
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
French Horn and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Oboe & Piano

Название пользователя: Bach: I Stand At The Threshold for Oboe and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 653.6 Кб ID: SM-000509253 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Гобой
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Oboe d'Amore & Piano

Название пользователя: Bach: I Stand At The Threshold for Oboe d'Amore and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 661.8 Кб ID: SM-000509254 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Гобой д’амур
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe d'Amore and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Piccolo & Piano

Название пользователя: Bach: I Stand At The Threshold for Piccolo and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 655.8 Кб ID: SM-000509255 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Флейта пикколо
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Piccolo and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Soprano Sax & Piano

Название пользователя: Bach: I Stand At The Threshold for Soprano Sax and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 660.0 Кб ID: SM-000509256 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Саксофон сопрано
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Soprano Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
  • Комментарии

No.1 I Stand At The Threshold for Trombone & Piano

Название пользователя: Bach: I Stand At The Threshold for Trombone and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 657.3 Кб ID: SM-000509257 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Тромбон
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Trombone and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
  • Комментарии

No.1 I Stand At The Threshold for Cello & Piano

Название пользователя: Bach: I Stand At The Threshold for Cello and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 655.8 Кб ID: SM-000509259 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Виолончель
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Cello and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
  • Комментарии

No.1 I Stand At The Threshold for Violin & Piano

Название пользователя: Bach: I Stand At The Threshold for Violin and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 654.8 Кб ID: SM-000509260 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Скрипка
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Violin and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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No.1 I Stand At The Threshold for Viola & Piano

Название пользователя: Bach: I Stand At The Threshold for Viola and Piano, BWV 156

Прочитать лицензию
16.95 USD

Продавец James Guthrie
PDF, 679.9 Кб ID: SM-000509261 Дата публикации: 02 июл 2020
Инструменты
Фортепиано, Альт
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей, Партии
Издатель
Jmsgu3 Publications
Уровень сложности
Средний уровень
Время звучания
2'50
Жанр
Классика/Ария
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.

Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.

Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Viola and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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