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Three Fugues
Классика/Фуга • 1965 • Альтернативное название: Trois Fugues
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For two Bb trumpets, horn and trombone (tuba)
Название пользователя: Thérèse Brenet: Three Fugues for two Bb trumpets, horn and trombone (tuba)
Инструменты |
Валторна, Тромбон, Труба |
Состав исполнителей |
Квартет |
Тип нот |
Партитура, Партии |
Части |
1 до 3 из 3 |
Издатель |
Musik Fabrik |
Уровень сложности |
Выше среднего |
Время звучания |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For SATB saxophone quartet
Название пользователя: Thérèse Brenet: Three Fugues for SATB saxophone quartet
Инструменты |
Саксофон альт, Саксофон тенор, Саксофон баритон, Саксофон сопрано |
Состав исполнителей |
Квартет |
Тип нот |
Партитура, Партии |
Части |
1 до 3 из 3 |
Издатель |
Musik Fabrik |
Уровень сложности |
Выше среднего |
Время звучания |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For flute (oboe), Bb clarinet, horn and bassoon
Название пользователя: Thérèse Brenet: Three Fugues for flute (oboe), Bb clarinet, horn and bassoon
Инструменты |
Флейта, Кларнет, Фагот, Гобой, Валторна |
Состав исполнителей |
Квартет |
Тип нот |
Партитура, Партии |
Части |
1 до 3 из 3 |
Издатель |
Musik Fabrik |
Уровень сложности |
Выше среднего |
Время звучания |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
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