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Courtly Dances

Классика/Камерная музыка • 2019
 
 
   
 

For wind quintet

Название пользователя: Courtly Dances – Wind Quintet

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Продавец Mike Lyons
PDF, 814.0 Кб ID: SM-000359877 Дата публикации: 23 май 2019
Инструменты
Флейта, Кларнет, Фагот, Гобой, Валторна
Состав исполнителей
Квинтет
Тип нот
Партитура, Партии
Тональность
Ми-бемоль мажор
Части
1 до 3 из 3
Издатель
Mike Lyons
Уровень сложности
Выше среднего
Время звучания
9'11
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.

The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.

Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.

Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine

Printing. It is highly reccommended to print the parts as 2-up (not booklet or spreads) or to stick single sided pages together in that order to avoid page turns in the 3rd movement.
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For double reed quintet

Название пользователя: Courtly Dances – Double Reed Quintet

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Продавец Mike Lyons
PDF, 830.4 Кб ID: SM-000360072 Дата публикации: 24 май 2019
Инструменты
Фагот, Гобой, Английский рожок, Контрафагот
Состав исполнителей
Квинтет
Тип нот
Партитура, Партии
Тональность
Ми-бемоль мажор
Части
1 до 3 из 3
Издатель
Mike Lyons
Уровень сложности
Выше среднего
Время звучания
9'11
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, Contrabassoon

The style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.

Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.

Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.
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Для струнного квинтета

Название пользователя: Courtly Dances – String Quintet

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Продавец Mike Lyons
PDF, 855.5 Кб ID: SM-000360073 Дата публикации: 24 май 2019
Инструменты
Скрипка, Альт, Виолончель, Контрабас
Состав исполнителей
Квинтет
Тип нот
Партитура, Партии
Тональность
Ре мажор
Части
1 до 3 из 3
Издатель
Mike Lyons
Уровень сложности
Выше среднего
Время звучания
9'11
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for string quintet Violins 1 & 2, Viola, Cello and Contrabass

The style of the first one is marcato, with a touch of irony! The Contrabass leads with an Alberti pattern followed by the first melodic idea stated on the Cello. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the 1st Violin with an obbligato on Violin 2 before the DS. Surprisingly simple, but 3 mins long.

Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabass and Cello. The middle section has a mournful Double Bass melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.

Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
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