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Six Fancies, Op.7
 Classical/Piece • 1898 • Alternative Title: Six Fancies
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All pieces
Title by uploader: Six Fancies, Op.7
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 6 from 6 |
Publisher |
P. L. Jung |
Difficulty |
Easy |
No.1 A Tin Soldier's Love, for wind quartet
Title by uploader: A Tin Soldier's Love, Op.7
Instrumentation |
Horn, Trombone, Trumpet |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Key |
B flat major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Medium |
Duration |
1'55 |
Genre |
Classical/Arrangement |
A Tin Soldier’s Love is the first movement of six from a collection for solo piano titles 6 Fancies, Op. 7. Thank you for looking.
No.1 A Tin Soldier's Love, for clarinet quartet
Title by uploader: A Tin Soldier's Love, Op.7
Instrumentation |
Clarinet, Bass Clarinet, Alto Clarinet, Clarinetto piccolo |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Key |
B flat major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Medium |
Duration |
1'55 |
Genre |
Classical/Arrangement |
A Tin Soldier’s Love is the first movement of six from a collection for solo piano titles 6 Fancies, Op. 7. This beautiful American composition works so well as a quartet or as an ensemble. Arranged for E flat, B flat, alto and bass clarinets. Thank you for looking.
No.1 A Tin Soldier's Love, for string orchestra
Title by uploader: A Tin Soldier's Love, Op.7
Instrumentation |
Violin, Viola, Cello, Double bass |
Scored for |
String orchestra |
Type of score |
Full score, Parts |
Key |
B flat major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Medium |
Duration |
1'55 |
Genre |
Classical/Arrangement |
From the pen of American composer, MacDowell, comes this arrangement for string orchestra of a solo piano piece. The lyrical sections are contrasted nicely by stacatto, march-like sections. This short little piano piece sounds great set for strings. I have always taken the liberty to do the B section (staccato, march-like section) piu mosso, even though it is not indicated, and then return to Tempo I. This is attainable by your developing string students. It sounds full, impressive and much harder than it really is to ready for performance.
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