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Chants d'Espagne, Op.232
Classical/Piece • Alternative Title: Chants d'Espagne
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Complete set
Title by uploader: Chants d'Espagne, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 5 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
Complete set
Title by uploader: Cantos de España - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 5 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
Duration |
21'0 |
Year of composition |
1898 |
Genre |
Classical/Instrumental |
Dies ist die 1898 revidierte Fassung zu der in diesem Jahr der IV. Satz Córdoba und der V. Satz Seguidillas hinzukamen.
I. Prélude
II. Orientale
III. Sous le Palmier
IV. Córdoba
V. Seguidillas
No.1 Prelude
Title by uploader: Prelude for Piano, Op.232 No.1
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
G minor |
Movement(s) |
1 to 1 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
No.1 Prelude
Title by uploader: Cantos de España, I. Prélude - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 1 from 5 |
Publisher |
Casa Dotesio |
Difficulty |
Advanced |
Year of composition |
1892 |
Genre |
Classical/Instrumental |
Der I. Satz Prélude aus den Cantos de España für Piano
No.1 Prelude, for guitar, T.101
Title by uploader: Prelude - Chants d'Espagne, T.101 Op.232
Instrumentation |
Classical guitar |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
E minor |
Movement(s) |
1 to 1 from 1 |
Arranger |
Tony Hauser |
Publisher |
Tony Hauser |
Difficulty |
Difficult |
Year of composition |
1892 |
Genre |
Classical |
“Prelude” T.101 (Op. 232) also known as “Leyenda” or “Asturias” is a classic example of misnaming by the publisher of Albéniz’ music. The style is clearly of Andalucia and not the northern state of Asturias. Previous guitar editions have further confused with markings, rewritings and interpretations far from the piano score.
For more information see my “España” album https://store.cdbaby.com/cd/tonyhauser
The renowned Spanish musicologist Jacinto Torres has published a thematic catalog of Albéniz’s music that offers the only reliable organization of his compositions. Thus, T. numbers are now the principal means of establishing the sequence in which his works came into being. Opus numbers appear here only in brackets. (Walter A. Clark)
Instrumentation |
Piano |
Genre |
Classical |
No.2 Orientale
Title by uploader: Orientale, Op.232 No.2
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
D minor |
Movement(s) |
2 to 2 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
No.2 Orientale
Title by uploader: Cantos de España, II. Orientale - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
2 to 2 from 5 |
Publisher |
Casa Dotesio |
Difficulty |
Advanced |
Year of composition |
1892 |
Genre |
Classical/Instrumental |
Der II. Satz Orientale aus den Cantos de España für Piano
No.2 Orientale, for guitar
Instrumentation |
Classical guitar |
Genre |
Classical |
No.3 Sous le palmier (Under the Palm Tree)
Title by uploader: Sous le palmier (Under the Palm Tree). Spanish Dance for Piano, Op.232 No.3
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
E flat major |
Movement(s) |
3 to 3 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
No.3 Sous le palmier (Under the Palm Tree)
Title by uploader: Cantos de España, III. Sous le Palmier - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
3 to 3 from 5 |
Publisher |
Casa Dotesio |
Difficulty |
Advanced |
Year of composition |
1892 |
Genre |
Classical/Instrumental |
Der III. Satz aus den Cantos de España für Piano
No.3 Sous le palmier (Under the Palm Tree), for guitar
Instrumentation |
Classical guitar |
Genre |
Classical |
No.4 Córdoba
Title by uploader: Córdoba, Op.232 No.4
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
D minor |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
No.4 Córdoba
Title by uploader: Cantos de España, IV. Córdoba - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
4 to 4 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
Year of composition |
1898 |
Genre |
Classical/Instrumental |
Der IV. Satz Córdoba aus den Cantos de España für Piano
No.4 Córdoba, for guitar
Title by uploader: Cordoba, Op.232 No.4
Instrumentation |
Classical guitar |
Scored for |
Solo |
Type of score |
For a single performer |
Arranger |
Jose D'Aragon |
Year of composition |
1886 |
Genre |
Classical |
No.4 Córdoba, for guitar
Title by uploader: Córdoba, for Guitar, Op.232 No.4
Instrumentation |
Acoustic guitar |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
D minor |
Movement(s) |
4 to 4 from 5 |
Difficulty |
Advanced |
Genre |
Classical/Arrangement |
Instrumentation |
Piano |
Genre |
Classical |
Instrumentation |
Classical guitar |
Genre |
Classical |
No.5 Seguidillas
Title by uploader: Seguidillas, Op.232 No.5
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
F sharp major |
Movement(s) |
5 to 5 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
No.5 Seguidillas
Title by uploader: Cantos de España, V. Seguidillas - Piano, Op.232
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
5 to 5 from 5 |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
Year of composition |
1898 |
Genre |
Classical/Instrumental |
Der V. Satz Seguidillas aus den Cantos de España für Piano.
Melanie Coleman 05 Dec 2011 13:29
If someone of you has ever read about or visited that unique town in the middle of Spain, you would realize why Isaac Albeniz had the inspiration to create this piece. I bought this composition to perform on my piano, though my best friend’s playing guitar – and the piece has been transcribed for it as well. You know, we are still arguing on which instrument it sounds better =)
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