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Trois morceaux dans le genre pathétique, Op.15

Classical/Piece • 1837 • Alternative Title: Trois Morceaux. Dans le Genre Pathétique
 
 
   
 

Complete set

Title by uploader: Trois Morceaux, Op.15


6.00 USD

Seller Cantor
PDF, 4.81 Mb ID: SM-000524204 Upload date: 01 Jun 2021
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Genre
Classical/Instrumental
  • Comments

Complete set

Title by uploader: Trois Morceaux dans le Genre Pathétique, Op.15


1.45 USD

Seller PlaceArt
PDF, 5.18 Mb ID: SM-000012879 Upload date: 08 Feb 2010
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Movement(s)
1 to 3 from 3
Publisher
G. Mergault & Cie
Difficulty
Difficult
  • Comments

No.1 Aime-moi (Love Me)

Title by uploader: Aime-moi (Love Me), Op.15 No.1


1.45 USD

Seller PlaceArt
PDF, 951.7 Kb ID: SM-000060751 Upload date: 15 Mar 2011
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
A flat minor
Movement(s)
1 to 1 from 3
Publisher
G. Mergault & Cie
Difficulty
Advanced
  • Comments

No.2 Le vent (The Wind)

Title by uploader: Le vent (The Wind), Op.15 No.2


1.45 USD

Seller PlaceArt
PDF, 1.03 Mb ID: SM-000060750 Upload date: 15 Mar 2011
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
B minor
Movement(s)
2 to 2 from 3
Publisher
G. Mergault & Cie
Difficulty
Advanced
  • Comments

No.3 Morte (Death)

Title by uploader: Morte (Death), Op.15 No.3


1.45 USD

Seller PlaceArt
PDF, 897.6 Kb ID: SM-000060749 Upload date: 15 Mar 2011
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
E flat minor
Movement(s)
3 to 3 from 3
Publisher
G. Mergault & Cie
Difficulty
Advanced
  • Comments
comments Samantha Harris 28 Nov 2011 13:50

A cycle of three pieces of passionate style. This one is the first piece “Aime-moi”. A rather virtuosic composition abundant in repetitive chords, triplet figurations, arpeggio and tremolo. The music conveys excitement and thrill of the heart. Charles-Valentine Alkan, the author of the work was a contemporary of Chopin and Liszt. His talent, as in many cases with composers of genius, manifested itself pretty early: he enrolled in Paris Conservatory at age 6, and at age 12 had his concert debut. He was a virtuoso player on the pedal piano.

 
 
   
   
 
 
   
 
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