| |
|
|
|
| |
|
|
|
| |
Three Fugues
Classical/Fugue • 1965 • Alternative Title: Trois Fugues
|
|
|
| |
|
|
|
| |
For two Bb trumpets, horn and trombone (tuba)
Title by uploader: Thérèse Brenet: Three Fugues for two Bb trumpets, horn and trombone (tuba)
Instrumentation |
Horn, Trombone, Trumpet |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Movement(s) |
1 to 3 from 3 |
Publisher |
Musik Fabrik |
Difficulty |
Advanced |
Duration |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For SATB saxophone quartet
Title by uploader: Thérèse Brenet: Three Fugues for SATB saxophone quartet
Instrumentation |
Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Movement(s) |
1 to 3 from 3 |
Publisher |
Musik Fabrik |
Difficulty |
Advanced |
Duration |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For flute (oboe), Bb clarinet, horn and bassoon
Title by uploader: Thérèse Brenet: Three Fugues for flute (oboe), Bb clarinet, horn and bassoon
Instrumentation |
Flute, Clarinet, Bassoon, Oboe, Horn |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Movement(s) |
1 to 3 from 3 |
Publisher |
Musik Fabrik |
Difficulty |
Advanced |
Duration |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
|
|
|
| |
|
|
|
| |
|
|
| |
|
|
|