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České tance I (Czech Dances I), T.112/1
Classical/Piece • 1877 • Alternative Title: České tance
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Complete set
Title by uploader: Czech Dances (Book I), T.112/1
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 4 from 4 |
Publisher |
Mojmír Urbánek |
Difficulty |
Advanced |
Polka No.1, for violin and piano
Title by uploader: Czech Dances I – No.1 Polka
Instrumentation |
Piano, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Key |
F sharp major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Advanced |
Duration |
2'5 |
Genre |
Classical/Arrangement |
This dance is the first polka in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. Thank you for looking.
Polka No.2, for violin and piano
Title by uploader: Czech Dances I – No.2 Polka
Instrumentation |
Piano, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Key |
A minor |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Difficult |
Duration |
2'44 |
Genre |
Classical/Arrangement |
This dance is the second polka in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. This is a challenging arrangement but, it lays very well. Perfect on the recital or especially as the “special” encore selection. Thank you for looking.
Polka No.2, for string quartet
Title by uploader: Czech Dances I – No.2 Polka
Instrumentation |
Violin, Viola, Cello |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Key |
A minor |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Difficult |
Duration |
2'44 |
Genre |
Classical/Arrangement |
This dance is the second polka in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. This is a challenging arrangement but, it lays very well. Perfect on the recital or especially as the “special” encore selection. Thank you for looking.
Polka No.3
Title by uploader: Polka, T.112
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Key |
F major |
Movement(s) |
3 to 3 from 4 |
Publisher |
Mojmír Urbánek |
Difficulty |
Medium |
Polka No.3, for violin and piano
Title by uploader: Polka No.3
Instrumentation |
Piano, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Key |
F major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Very difficult |
Duration |
3'4 |
Genre |
Classical/Arrangement |
This dance is the third polka in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. This is a tour de force for both performers and demands much technique. Perfect on the recital or especially as the “special” encore selection. Thank you for looking.
Lento No.4, for violin and cello
Title by uploader: Czech Dances I – No.4 Lento
Instrumentation |
Violin, Cello |
Scored for |
Duo |
Type of score |
Score for two performers, Parts |
Key |
B flat major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Difficult |
Duration |
3'24 |
Genre |
Classical/Arrangement |
This dance is the fourth in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. This is a tour de force for both performers and demands much technique. Perfect on the recital or especially as the “special” encore selection. Thank you for looking.
Lento No.4, for two marimbas
Title by uploader: Czech Dances I – No.4 Lento
Instrumentation |
Marimba |
Scored for |
Duo |
Type of score |
Score for two performers, Parts |
Key |
F major |
Arranger |
Nick Lacanski |
Publisher |
theupperstaff |
Difficulty |
Advanced |
Duration |
3'24 |
Genre |
Classical/Arrangement |
This dance is the fourth in a set of four written for piano. The set is titled, Czech Dances I, and is the first set of two composed in 1877. This is a tour de force for both performers and demands much technique. Perfect on the recital or especially as the “special” encore selection. Thank you for looking.
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