|
Score and parts
Title by uploader: Time to Live and Time to Die, suite for the symphonic orchestra after Remarque's perusal (score and parts), Op.27
Instrumentation |
Celesta, Flute, Flute piccolo, Clarinet, Bassoon, Oboe, Cor anglais, Trombone basso, Trombone tenor, Horn, Trumpet, Tuba, Violin, Viola, Cello, Double bass, Harp, Tubular Bells, Snare drum, Glockenspiel, Timpani, Vibraphone, Xylophone, Cymbals, Tam-tam, Contrabassoon, Bass Clarinet |
Scored for |
Symphonic orchestra |
Type of score |
Full score, Parts |
Key |
A minor |
Movement(s) |
1 to 5 from 5 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Difficulty |
Difficult |
Duration |
13'27 |
Suite "a Time to live and a time to die" was written under the impression of one of the anti-war novels of E. M. Remarque. The composition has a concentric form. I and V parts — the beginning and the tragic outcome of war. II and IV — the front and rear. However, this is only terms borrowed from the lexicon of the military. In fact, they are almost indistinguishable from each other: all the death of innocent people, destruction, crippled fate, the fear. In the center of the Suite (III part) — the very bright beginning, which, in spite of all this, able to save people.
Time to Live and Time to Die
Title by uploader: Time to Live and Time to Die, suite for the symphonic orchestra after Remarque's perusal (only score), Op.27
Instrumentation |
Celesta, Flute, Flute piccolo, Clarinet, Bassoon, Oboe, Cor anglais, Horn, Trombone, Trumpet, Tuba, Violin, Viola, Cello, Double bass, Harp, Tubular Bells, Snare drum, Glockenspiel, Timpani, Vibraphone, Cymbals, Tam-tam, Contrabassoon, Bass drum, Bass Clarinet |
Scored for |
Symphonic orchestra |
Type of score |
Full score |
Key |
A minor |
Movement(s) |
1 to 5 from 5 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Difficulty |
Difficult |
Duration |
13'27 |
Suite "a Time to live and a time to die" was written under the impression of one of the anti-war novels of E. M. Remarque. The composition has a concentric form. I and V parts — the beginning and the tragic outcome of war. II and IV — the front and rear. However, this is only terms borrowed from the lexicon of the military. In fact, they are almost indistinguishable from each other: all the death of innocent people, destruction, crippled fate, the fear. In the center of the Suite (III part) — the very bright beginning, which, in spite of all this, able to save people.
|
|
|