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For flute trio
Title by uploader: Fa-la-la, Fa-la-la – Flute Trio
Instrumentation |
Flute |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
B minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
This is an original flute trio. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
For bassoon trio
Title by uploader: Fa-la-la, Fa-la-la – Bassoon Trio
Instrumentation |
Bassoon |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
B minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, arranged for Bassoons. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
For clarinet trio (Clarinets in A)
Title by uploader: Fa-la-la, Fa-la-la (Clarinets in A) – Clarinet Trio
Instrumentation |
Clarinet |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
D minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, arranged here for A Clarinets. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
There are versions of this trio for
Strings ,
Bb Clarinets,
Flutes,
Oboes,
Bassoons and
Horns.
Other combinations can be made by request.
For clarinet trio (Clarinets in Bb)
Title by uploader: Fa-la-la, Fa-la-la (Clarinets in Bb) – Clarinet Trio
Instrumentation |
Clarinet |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
A minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, arranged for Bb Clarinets. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
For oboe trio (for 3 Oboes or 2 Oboes and CA)
Title by uploader: Fa-la-la, Fa-la-la (for 3 Oboes or 2 Oboes and CA) – Oboe Trio
Instrumentation |
Oboe, Cor anglais |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
B minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, here arranged for 3 Oboes or 2 Oboes and Cor Anglais. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
For string trio (Violin1, Viola/Violin 2 and Cello)
Title by uploader: Fa-la-la, Fa-la-la (Violin1, Viola/Violin 2 and Cello) – String Trio
Instrumentation |
Violin, Viola, Cello |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
B minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, arranged for strings. Alternative parts are supplied for the 2nd part which can be played either on a 2nd violin or on viola.
The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
For horn trio
Title by uploader: Fa-la-la, Fa-la-la – Horn Trio
Instrumentation |
Horn |
Scored for |
Trio |
Type of score |
Full score, Parts |
Key |
E minor |
Movement(s) |
1 to 1 from 1 |
Publisher |
Mike Lyons |
Difficulty |
Advanced |
Duration |
2'40 |
Year of composition |
2019 |
This is an original flute trio, arranged for horns in F. The music is entirely derived from the opening motif, which occurred to me on the date of my civil partnership anniversary (11 years).
It's a simple ditty, but I wanted to try to test the strengths of the players. The parts all cover a wide range, and the players need to be able to sustain the rhythmic pulse in 6/8.
Although the tempo is marked <dotted q>=110, it can be played up to 10 BPM faster or slower, depending on the skill of the ensemble.
This would make a great addition to a recital programme or a spring or summer concert.
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