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Sonata for Piano No.10 in C Major, Hob.XVI/1

Classical/Sonata • 1755 • Alternative Title: Sonate No.10 in C-dur für Klavier
 
 
   
 

For a single performer

Title by uploader: Sonata No.10 in C Major for Piano, Hob.XVI/1


1.45 USD

Seller PlaceArt
PDF, 398.1 Kb ID: SM-000034626 Upload date: 20 Aug 2010
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
C major
Movement(s)
1 to 3 from 3
Difficulty
Advanced
  • Comments

For a single performer (Movement I)

Title by uploader: Соната No.1 – часть1

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3.00 USD

Seller Cantor
PDF, 195.7 Kb ID: SM-000346742 Upload date: 29 Jan 2019
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
C major
Publisher
Cantor
Difficulty
Medium
Genre
Classical/Instrumental
  • Comments

For a single performer

Title by uploader: Franz Joseph Haydn - Sonata in C Major (1750-55 or 1760), Hob.XVI/1


3.00 USD

Seller Baradello
PDF, 1.44 Mb ID: SM-000351393 Upload date: 19 Mar 2019
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Genre
Classical/Instrumental
Franz Joseph Haydn - Sonata in C Major (1750-55 or 1760), Hob 16 no 1
  • Comments

For a single performer

Title by uploader: Piano Sonata No.10 in C


1.00 USD

Seller Cantor
PDF, 400.9 Kb ID: SM-000379395 Upload date: 17 Jan 2020
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
  • Comments

For two guitars – parts

Title by uploader: Sonata No.10 in C Major by Haydn, Hob.XVI/1

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9.95 USD

Seller Tony Hauser
PDF, 1.21 Mb ID: SM-000512795 Upload date: 28 Aug 2020
Instrumentation
Classical guitar
Scored for
Duo
Type of score
Parts
Key
C major
Movement(s)
1 to 3 from 3
Arranger
Tony Hauser
Publisher
Tony Hauser
Difficulty
Advanced
Duration
11'30
Genre
Classical
The early keyboard sonatas by Haydn exhibit a common (for the times) but different structure of the first movement. Having two sections with repeats exhibiting a holdover from the Baroque era. As development sections got bigger, the repeats became less frequent. From notes by Richard Wigmore "The early sonata No 1 is in three brief movements, with a final minuet enclosing a minor-keyed trio—a pattern found in many sonatas by Wagenseil and other mid-eighteenth-century Viennese composers. Some scholars have questioned Haydn’s authorship of this modestly charming work." As I have stated with other Haydn arrangements, I believe much more moderate tempos than those taken by pianists show the true beauty of his sonatas and also make them eminently playable by guitarists.
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