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For voice and piano
Title by uploader: The Barber of Seville. Aria Figaro 'Largo al factotum', for Voice and Piano
Instrumentation |
Piano, Voice |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Publisher |
PlaceArt |
Language |
English, Italian |
Difficulty |
Advanced |
For russian folk orchestra
Title by uploader: Cavatina of Figaro
Instrumentation |
Bayan, Flute, Flute piccolo, Oboe, Trumpet, Balalaika, Domra, Gusli |
Scored for |
Solo, Russian folk orchestra |
Type of score |
Full score |
Arranger |
Gregory Deriugin |
Publisher |
Gregory Deriugin |
Genre |
Blues/Instrumental |
For Bayan and Orchestra of Russian folk instruments
For piano
Title by uploader: Россини - Каватина Фигаро
Instrumentation |
Piano, Voice |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Publisher |
Aleksander Pavlov |
Language |
Italian, Russian |
Difficulty |
Advanced |
Year of composition |
2012 |
Genre |
Classical/Aria |
Из оперы "Сивильский цирюльник"
For string trio – parts
Title by uploader: Largo al Factotum from The Barber of Seville
Instrumentation |
Violin, Viola, Cello |
Scored for |
Trio |
Type of score |
Parts |
Arranger |
Andrei Visotsky |
For string quartet – parts
Title by uploader: Largo al Factotum from The Barber of Seville
Instrumentation |
Violin, Viola, Cello |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Arranger |
Andrei Visotsky |
For voice and piano (Italian/English)
Title by uploader: Largo al factotum della città. Cavatina for Baritone (Il barbiere di siviglia) – Italian/English
Instrumentation |
Piano, Bass |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Publisher |
Ricordi |
Language |
English, Italian |
Genre |
Classical/Aria |
Largo al factotum della città: Cavatina for Baritone (Figaro). G. Rossini: il barbiere di siviglia (The barber of Seville), Act. 1, Sc. 1. Vocal Score. Ed. Schirmer. 1900). Italian/English. Sheet Music (A4). High Resolution scans (600 dpi)
For voice and piano
Title by uploader: Largo al factotum della città. Aria (Cavatina) for Baritone (Il barbiere di siviglia) – Italian
Instrumentation |
Piano, Bass |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Publisher |
Ricordi |
Language |
Italian |
Genre |
Classical/Aria |
Largo al factotum della città: Aria (Cavatina) for Baritone (Figaro). G. Rossini: Il barbiere di siviglia (The barber of Seville), Act I Sc. 1. Vocal Score. Ed. Ricordi. 1869. Italian. Sheet Music (A4). High Resolution scans (600 dpi)
For voice and piano
Title by uploader: Largo al factotum della citta
Instrumentation |
Piano, Voice |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Translator |
Theodore Baker |
Publisher |
Idris Sukubo |
Language |
English, Italian |
Difficulty |
Very difficult |
Duration |
4'57 |
Genre |
Classical/Opera |
From the opera Il barbiere di Siviglia
Instrumentation |
Piano, Voice |
Genre |
Classical |
For woodwind quintet
Title by uploader: Rossini: Figaro's Aria from 'The Barber of Seville' for Woodwind Quintet
Instrumentation |
Flute, Clarinet, Bassoon, Oboe, Horn |
Scored for |
Quintet, Wind ensemble |
Type of score |
Full score, Parts |
Key |
C major |
Movement(s) |
1 to 1 from 1 |
Arranger |
Darrell Goforth |
Publisher |
Darrell Goforth |
Difficulty |
Difficult |
Duration |
4'30 |
Year of composition |
1816 |
This aria is the opera's introduction to the character of Figaro and occurs in the first act of Rossini's "The Barber of Seville". It is a companion piece to the Overture which was published earlier. Everyone is familiar with Figaro both from operatic literature and from Warner Brothers' cartoons. And who doesn't love Bugs Bunny?
Comments and inquiries are always welcome by email at dgoforth2@comcast.net
Also, please like my Facebook page at facebook.com/GoForthMusic and my YouTube channel at https://www.youtube.com/user/dgoforth2
For solo and string orchestra
Title by uploader: String Chamber Series: Barber of Seville (Largo al Factotum)
Instrumentation |
Violin, Viola, Cello, Double bass |
Scored for |
Solo, String orchestra |
Type of score |
Full score, Parts |
Arranger |
9Siblingz |
Publisher |
9Siblingz |
Difficulty |
Advanced |
Genre |
Classical/Aria |
9Siblingz presents to you the famous aria "Largo al factotum" or "Figaro's Aria" from Rossini's opera The Barber of Seville. Arranged for solo cello and string orchestra. Contains conductor's score and parts. This arrangement is of medium difficulty (grades 5-6) with slightly advanced cello part (grade 7).
Instrumentation |
Piano, Violin |
Genre |
Classical |
For voice and piano
Title by uploader: Rossini - Largo al factotum della città
Instrumentation |
Piano, Violin |
Type of score |
Score for two performers, Solo part |
Difficulty |
Medium |
Genre |
Classical/Concerto |
This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Rossini Gioacchino (Rossini Gioacchino ), for Violin and Piano.
For voice and piano
Title by uploader: Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Instrumentation |
Piano, Baritone |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Key |
C major |
Arranger |
Nicole DiPaolo |
Publisher |
Nicole DiPaolo |
Language |
Italian |
Difficulty |
Very difficult |
Duration |
7'0 |
Year of composition |
1816 |
Genre |
Classical/Opera |
The first of its kind, this is a genuinely playable piano/vocal reduction of "Largo al factotum,” the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!
Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.
All Accessible Accompaniments, including this one, boast several unique features:
1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.
2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.
3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.
4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.
5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.
6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß” with “ss” in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations.
C Major
Title by uploader: Rossini - Largo al factotum della città in C Major
Instrumentation |
Piano, Voice |
Type of score |
Piano-vocal score |
Difficulty |
Medium |
Genre |
Classical/Vocal music |
This product is a digital sheet music in PDF format. The music was composed by Rossini (Gioacchino Rossini ), for Voice and Piano.
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