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Sonata No.33 in B Minor, K.87 L.33 P.43

Classical/Sonata • Alternative Title: Sonatas for Harpsichord (or Piano)
 
 
   
 

For piano

Title by uploader: Sonata No.33 in B Minor, K.87 L.33 P.43


1.45 USD

Seller PlaceArt
PDF, 258.9 Kb ID: SM-000040884 Upload date: 12 Oct 2010
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
B minor
Difficulty
Medium
  • Comments

For string quartet

Title by uploader: Sonata in b, K.87


9.00 USD

Seller Elena Ionova
PDF, 1.30 Mb ID: SM-000073926 Upload date: 04 Aug 2011
Instrumentation
Violin, Viola, Cello
Scored for
Quartet
Type of score
Parts
Key
B minor
Arranger
Elena Ionova
Publisher
Elena Ionova
Difficulty
Medium
Duration
4'0
Genre
Classical/Arrangement
  • Comments

For guitar

Title by uploader: Sonata by Domenico Scarlatti, K.87 L.33

Read license
2.95 USD

Seller Tony Hauser
PDF, 503.3 Kb ID: SM-000323543 Upload date: 13 Jan 2018
Instrumentation
Classical guitar
Scored for
Solo
Type of score
For a single performer
Key
E minor
Arranger
Tony Hauser
Publisher
Tony Hauser
Difficulty
Very difficult
Year of composition
1742
Genre
Classical/Arrangement
A Sonata by Baroque harpsichord master Domenico Scarlatti. In my view this is one of the most profound and agonizingly beautiful works in the baroque repertoire. By raising the A string to B it is now possible to play this piece on guitar with complete integrity of counterpoint. Originally in B minor (and marked "Fuga" by Kirkpatrick) here arranged for the guitar in E minor. The manuscript has no tempo marking but A. Longo marks it "Andante Mosso". A work for advanced guitarists with extensive difficult counterpoint.
  • Comments

For guitar

Title by uploader: Sonata e-moll, K.87


1.00 USD

Seller Stefan Oefner
PDF, 196.1 Kb ID: SM-000341504 Upload date: 28 Sep 2018
Instrumentation
Acoustic guitar
Scored for
Solo
Type of score
For a single performer
Key
E minor
Arranger
Stefan Oefner
Publisher
Stefan Oefner
Difficulty
Difficult
Duration
4'0
Genre
Classical/Arrangement
Bearbeitung für Konzertgitarre
  • Comments
 
 
   
   
 
 
   
 
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