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For Alto Clarinet & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet and Piano
Instrumentation |
Piano, Alto Clarinet |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Flute & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Alto Flute and Piano
Instrumentation |
Piano, Alto Flute |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Sax & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Alto Sax and Piano
Instrumentation |
Piano, Alto Saxophone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Clarinet & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet and Piano
Instrumentation |
Piano, Bass Clarinet |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Flute & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Bass Flute and Piano
Instrumentation |
Piano, Bass Flute |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Horn & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn and Piano
Instrumentation |
Piano, Baritone horn |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bassoon & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Bassoon and Piano
Instrumentation |
Piano, Bassoon |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Sax & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax and Piano
Instrumentation |
Piano, Baritone Saxophone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For English Horn & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for English Horn and Piano
Instrumentation |
Piano, Cor anglais |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Euphonium & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Euphonium and Piano
Instrumentation |
Piano, Euphonium |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Flute & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Flute and Piano
Instrumentation |
Piano, Flute |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For French Horn & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for French Horn and Piano
Instrumentation |
Piano, Horn |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Oboe and Piano
Instrumentation |
Piano, Oboe |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe d'Amore & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore and Piano
Instrumentation |
Piano, Oboe d'amore |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Piccolo & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
Instrumentation |
Piano, Flute piccolo |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Soprano Sax & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax and Piano
Instrumentation |
Piano, Soprano Saxophone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trumpet & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Trumpet and Piano
Instrumentation |
Piano, Trumpet |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trombone & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Trombone and Piano
Instrumentation |
Piano, Trombone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Tenor Sax & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax and Piano
Instrumentation |
Piano, Tenor Saxophone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Cello & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Cello and Piano
Instrumentation |
Piano, Cello |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Violin & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Violin and Piano
Instrumentation |
Piano, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Difficulty |
Easy |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Viola & Piano
Title by uploader: Bach-Gounod: Ave Maria, Schwencke version for Viola and Piano
Instrumentation |
Piano, Viola |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Parts |
Publisher |
Jmsgu3 Publications |
Duration |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
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