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Burlesque for domra with orchestra of Russian folk instruments, Op.54
Classical/Contemporary • 2018 • Alternative Title: Бурлеска
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Full score, parts, solo part
Title by uploader: Burlesque for domra with orchestra of Russian folk instruments (full score, parts, solo part), Op.54
Instrumentation |
Bayan, Flute, Clarinet, Bassoon, Oboe, Balalaika, Domra, Snare drum, Triangle, Timpani, Tambourine, Gusli, Bass drum, Temple blocks |
Scored for |
Russian folk orchestra |
Type of score |
Full score, Parts, Solo part |
Key |
C major |
Movement(s) |
1 to 1 from 1 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Difficulty |
Advanced |
Duration |
6'0 |
V. Kruglik — Burlesque for domra with orchestra of Russian folk instruments.
I was approached by a well-known St. Petersburg domristka, soloist of the V. V. Andreev orchestra Ekaterina Shirokova with a request to write a small piece for domra and orchestra. I decided to make a quick character piece where the domra would be presented as a very technical instrument. In General, fast music sounds very good on plucked instruments. At the same time, we wanted to avoid a hint of borrowing or using widely popular Russian-folk intonations, to which we are accustomed in the XX century. This is how the idea of a Burlesque for domra and orchestra was born – a small entertaining three-part composition with fast, impetuous extreme parts and a lyrical, elegant middle part. The whole composition goes at a single pace, which contributes to its holistic perception.
The work is recommended as an educational repertoire in secondary and higher educational institutions.
Piano score, solo part
Title by uploader: Burlesque for domra with orchestra of Russian folk instruments (piano score, solo part), Op.54
Instrumentation |
Piano, Domra |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Solo part |
Key |
C major |
Movement(s) |
1 to 1 from 1 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Duration |
6'0 |
V. Kruglik — Burlesque for domra with orchestra of Russian folk instruments.
I was approached by a well-known St. Petersburg domristka, soloist of the V. V. Andreev orchestra Ekaterina Shirokova with a request to write a small piece for domra and orchestra. I decided to make a quick character piece where the domra would be presented as a very technical instrument. In General, fast music sounds very good on plucked instruments. At the same time, we wanted to avoid a hint of borrowing or using widely popular Russian-folk intonations, to which we are accustomed in the XX century. This is how the idea of a Burlesque for domra and orchestra was born – a small entertaining three-part composition with fast, impetuous extreme parts and a lyrical, elegant middle part. The whole composition goes at a single pace, which contributes to its holistic perception.
The work is recommended as an educational repertoire in secondary and higher educational institutions.
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