| |
Full score, parts, solo part
Title by uploader: Concertino for balalaika with orchestra of Russian folk instruments (full score, parts, solo part), Op.46
Instrumentation |
Bayan, Flute, Clarinet, Oboe, Bass guitar, Balalaika, Domra, Snare drum, Triangle, Timpani, Vibraphone, Cymbals, Gusli |
Scored for |
Solo, Russian folk orchestra |
Type of score |
Full score, Parts, Solo part |
Key |
D major |
Movement(s) |
1 to 1 from 1 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Difficulty |
Difficult |
Duration |
11'50 |
Genre |
Classical/Concerto |
V. Kruglik — Concertino for balalaika with orchestra of Russian folk instruments.
The Concertino for balalaika with the orchestra of Russian folk instruments was created specifically for the V. V. Andreev orchestra on the initiative of Alexander Milyutin, a Saint Petersburg balalaika player and conductor. In the expanded one-part composition, the balalaika is presented as a diverse instrument that is subject to a wide variety of shades, feelings and possibilities.
Full score, solo part
Title by uploader: Concertino for prima balalaika with orchestra of Russian folk instruments (full score, solo part), Op.46
Instrumentation |
Bayan, Flute, Clarinet, Oboe, Bass guitar, Balalaika, Domra, Snare drum, Triangle, Timpani, Vibraphone, Cymbals, Gusli |
Scored for |
Solo, Russian folk orchestra |
Type of score |
Full score, Solo part |
Key |
D major |
Movement(s) |
1 to 1 from 1 |
Arranger |
Vyacheslav Kruglik |
Publisher |
Vyacheslav Kruglik |
Difficulty |
Difficult |
Duration |
11'50 |
Genre |
Classical/Concerto |
V. Kruglik — Concertino for balalaika with orchestra of Russian folk instruments.
The Concertino for balalaika with the orchestra of Russian folk instruments was created specifically for the V. V. Andreev orchestra on the initiative of Alexander Milyutin, a Saint Petersburg balalaika player and conductor. In the expanded one-part composition, the balalaika is presented as a diverse instrument that is subject to a wide variety of shades, feelings and possibilities.
|
|
|