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On A Photograph

Classical/Song • 2004 • Lyricist: John Wood
 
 
   
 

For mezzo-soprano, baritone (or bass) and piano (priced for 3 copies)

Title by uploader: On A Photograph — for mezzo-soprano, baritone (or bass) and piano (priced for 3 copies)


20.00 USD

Seller Lori Laitman
PDF, 1.56 Mb ID: SM-000518819 Upload date: 17 Dec 2020
Instrumentation
Piano, Mezzo-soprano, Baritone, Bass
Scored for
Accompanying piano, Duo
Type of score
Piano-vocal score
Publisher
Enchanted Knickers Music
Language
English
Difficulty
Advanced
Duration
4'30
John Wood’s vivid imagination drew me to On A Photograph. In this poem, he imagines the daily life of two people from an old photograph (visible on the cover).
Due to the poem’s long sentence structures, the melodic lines in this song are quite extended. There is also much flexibility in the tempi, to match the conversational tone of the poem. Time seems to explode as the poem builds to its climax with the lovers loving, and the hands of the pianist move over the keyboard, just as a lover’s hands might move over a lover. And then, just as after love making, a calmness ensues. The original melody and harmonies return , slightly altered to fit the final words. The song ends with the piano quoting the music accompanying the words “back when my grandparents were children” — leaving the song’s harmonies unresolved and floating in the air.

You can listen to the duet version at this link: https://www.youtube.com/watch?v=R_BM_xsWXQg
  • Comments

For baritone and piano (priced for 2 copies)

Title by uploader: On A Photograph — for baritone and piano (priced for 2 copies)


10.00 USD

Seller Lori Laitman
PDF, 1.50 Mb ID: SM-000518820 Upload date: 17 Dec 2020
Instrumentation
Piano, Baritone
Scored for
Solo, Accompanying piano
Type of score
Piano-vocal score
Publisher
Enchanted Knickers Music
Language
English
Difficulty
Advanced
Duration
4'30
John Wood’s vivid imagination drew me to On A Photograph. In this poem, he imagines the daily life of two people from an old photograph (visible on the cover).
Due to the poem’s long sentence structures, the melodic lines in this song are quite extended. There is also much flexibility in the tempi, to match the conversational tone of the poem. Time seems to explode as the poem builds to its climax with the lovers loving, and the hands of the pianist move over the keyboard, just as a lover’s hands might move over a lover. And then, just as after love making, a calmness ensues. The original melody and harmonies return , slightly altered to fit the final words. The song ends with the piano quoting the music accompanying the words “back when my grandparents were children” — leaving the song’s harmonies unresolved and floating in the air.

You can listen to the duet version at this link: https://www.youtube.com/watch?v=R_BM_xsWXQg
  • Comments

For tenor and piano (priced for 2 copies)

Title by uploader: On A Photograph — for tenor and piano (priced for 2 copies)


10.00 USD

Seller Lori Laitman
PDF, 1.50 Mb ID: SM-000518821 Upload date: 17 Dec 2020
Instrumentation
Piano, Tenor
Scored for
Solo, Accompanying piano
Type of score
Piano-vocal score
Publisher
Enchanted Knickers Music
Language
English
Difficulty
Advanced
Duration
4'30
John Wood’s vivid imagination drew me to On A Photograph. In this poem, he imagines the daily life of two people from an old photograph (visible on the cover).
Due to the poem’s long sentence structures, the melodic lines in this song are quite extended. There is also much flexibility in the tempi, to match the conversational tone of the poem. Time seems to explode as the poem builds to its climax with the lovers loving, and the hands of the pianist move over the keyboard, just as a lover’s hands might move over a lover. And then, just as after love making, a calmness ensues. The original melody and harmonies return , slightly altered to fit the final words. The song ends with the piano quoting the music accompanying the words “back when my grandparents were children” — leaving the song’s harmonies unresolved and floating in the air.

You can listen to the duet version at this link: https://www.youtube.com/watch?v=R_BM_xsWXQg
  • Comments

For soprano or mezzo-soprano (priced for 2 copies)

Title by uploader: On A Photograph — for soprano or mezzo-soprano (priced for 2 copies)


10.00 USD

Seller Lori Laitman
PDF, 1.50 Mb ID: SM-000518822 Upload date: 17 Dec 2020
Instrumentation
Piano, Soprano, Mezzo-soprano
Scored for
Solo, Accompanying piano
Type of score
Piano-vocal score
Publisher
Enchanted Knickers Music
Language
English
Duration
4'30
John Wood’s vivid imagination drew me to On A Photograph. In this poem, he imagines the daily life of two people from an old photograph (visible on the cover).
Due to the poem’s long sentence structures, the melodic lines in this song are quite extended. There is also much flexibility in the tempi, to match the conversational tone of the poem. Time seems to explode as the poem builds to its climax with the lovers loving, and the hands of the pianist move over the keyboard, just as a lover’s hands might move over a lover. And then, just as after love making, a calmness ensues. The original melody and harmonies return , slightly altered to fit the final words. The song ends with the piano quoting the music accompanying the words “back when my grandparents were children” — leaving the song’s harmonies unresolved and floating in the air.

You can listen to the duet version at this link: https://www.youtube.com/watch?v=R_BM_xsWXQg
  • Comments

For tenor, baritone (or bass) and piano (priced for 3 copies)

Title by uploader: On A Photograph — for tenor, baritone (or bass) and piano (priced for 3 copies)


20.00 USD

Seller Lori Laitman
PDF, 1.57 Mb ID: SM-000518843 Upload date: 18 Dec 2020
Instrumentation
Piano, Tenor, Baritone, Bass
Scored for
Trio
Type of score
Piano-vocal score
Publisher
Enchanted Knickers Music
Language
English
Duration
4'30
John Wood’s vivid imagination drew me to On A Photograph. In this poem, he imagines the daily life of two people from an old photograph (visible on the cover).
Due to the poem’s long sentence structures, the melodic lines in this song are quite extended. There is also much flexibility in the tempi, to match the conversational tone of the poem. Time seems to explode as the poem builds to its climax with the lovers loving, and the hands of the pianist move over the keyboard, just as a lover’s hands might move over a lover. And then, just as after love making, a calmness ensues. The original melody and harmonies return , slightly altered to fit the final words. The song ends with the piano quoting the music accompanying the words “back when my grandparents were children” — leaving the song’s harmonies unresolved and floating in the air.

You can listen to the duet version at this link: https://www.youtube.com/watch?v=R_BM_xsWXQg
  • Comments
 
 
   
 
 
   
 
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