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Madrigals • Book 4 (a cinque voci), SV 75–93

Classical/Motet • 1603 • Alternative Title: Il quarto libro de madrigali a cinque voci
 
 
   
 

Vocal score

Title by uploader: Madrigals for Five Voices. Book IV, SV 75–93


1.45 USD

Seller PlaceArt
PDF, 5.26 Mb ID: SM-000059540 Upload date: 03 Mar 2011
Instrumentation
Contralto, Tenor, Bass, Voice
Scored for
Quintet
Type of score
Vocal score
Publisher
Ricciardo Amadino
Language
Italian
Difficulty
Advanced
Year of composition
1600
  • Comments

Parts

Title by uploader: Madrigals for Five Voices. Book IV – Parts, SV 75–93


Free

Uploader PlaceArt
PDF, 9.43 Mb ID: SM-000075320 Upload date: 22 Aug 2011
Instrumentation
Contralto, Tenor, Bass, Voice
Scored for
Quintet
Type of score
Parts
Publisher
Ricciardo Amadino
Language
Italian
Difficulty
Advanced
Year of composition
1600
  • Comments

Arrangement for quintet instruments

Title by uploader: Monteverdi - The Fourth Book of Madrigals (1603) (Complete)

Read license
125.00 USD

Seller Mike Lyons
PDF, 2.79 Mb ID: SM-000294303 Upload date: 15 Aug 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Oboe, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Saxhorn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
1 to 20 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Advanced
Duration
74'42
Genre
Classical/Arrangement
n this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking.

He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

All 20 madrigals are here:

1. Ah! Dolente Partita – Oh, Sweet Parting!

2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you.

3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

4. Sfogava con le stelle – He dallied with the stars

5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining

6. Anima mia perdona – My soul forgives

7. Che se tu se ' il cor mio – That if you are as good as my heart

8. Luci Serene e Chiare – Lights, serene and clear

9. La piaga c'ho nel core – The plague is in the heart

10. Voi pur da me partite – You do not mind me, though

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

12. Ohime se Tanto Amate – Alas! If you like it too much

13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing

14. Quel Augellin Che Canta – That little bird that sings

15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes

16. Si Ch'io Vorrei Morire – How I want to die

17. Anima Dolorosa – Suffering soul that lives so much pain and torment

18. Anima Del Cor Mio – My soul’s heart

19. Longe da Te Cor Mio – Stay away from me

20. Piagne e Sospira – He drinks and sighs
Parts are supplied to suit flexible brass or wind (or both) quintets as follows:

Part 1 in Bb, Part 2 in Bb, Part 3 in Eb/F/Bb, Part 4 in Bb/C(BC) and part 5 in Eb/Bb/C(BC)
  • Comments

No.01 Ah! Dolente partita. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 01. Ah! Dolente partita

Read license
5.99 USD

Seller Mike Lyons
PDF, 375.8 Kb ID: SM-000296018 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Saxhorn, Trombone, Trumpet, Tuba, Tenorhorn, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
1 to 1 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
4'0
Genre
Classical/Arrangement
In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.



1. Ah! Dolente partita – Oh, Sad parting!
This song speaks of leaving one's lover, but the text is rife with double entendres.

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.02 Cor mio mentre vi miro. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 02. Cor mio mentre vi miro

Read license
4.99 USD

Seller Mike Lyons
PDF, 334.6 Kb ID: SM-000296019 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Saxhorn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
2 to 2 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

2. Cor mio mentre vi miro – My Heart as I dream I turn into you.
Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.03 Cor mio non mori - emori? Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 03. Cor mio non mori - emori?

Read license
4.99 USD

Seller Mike Lyons
PDF, 346.5 Kb ID: SM-000296021 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Saxhorn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
3 to 3 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.
3. Cor Mio Non Mori? E Mori – My heart did not die? And it died

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.04 Sfogava con le stelle. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 04. Sfogava con le stelle

Read license
4.99 USD

Seller Mike Lyons
PDF, 374.0 Kb ID: SM-000296022 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
4 to 4 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
4'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

4. Sfogava con le stelle – He dallied with the stars

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.05 Volgea l'anima mia. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 05. Volgea l'anima mia

Read license
4.99 USD

Seller Mike Lyons
PDF, 371.1 Kb ID: SM-000296023 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
5 to 5 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
4'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.


5. Volgea l'anima mia – Volgea my soul, so dear and sweetly shining

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.06 Anima mia perdona. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 06. Anima mia perdona

Read license
5.99 USD

Seller Mike Lyons
PDF, 348.1 Kb ID: SM-000296024 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
6 to 6 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
5'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

6. Anima mia perdona – My soul forgive

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.07 Che se tu se'il cor mio. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 07. Che se tu se'il cor mio

Read license
3.99 USD

Seller Mike Lyons
PDF, 351.4 Kb ID: SM-000296025 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
7 to 7 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

7. Che se tu se'il cor mio – That if you are as good as my heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.08 Luci serene e chiare. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 08. Luci serene e chiare

Read license
4.99 USD

Seller Mike Lyons
PDF, 369.5 Kb ID: SM-000296026 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
8 to 8 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
5'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

8. Luci serene e chiare – Lights, serene and clear

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.09 La piaga c'ho nel core. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 09. La piaga c'ho nel core

Read license
4.99 USD

Seller Mike Lyons
PDF, 327.0 Kb ID: SM-000296027 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
9 to 9 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

9. La piaga c'ho nel core – The plague is in the heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.10 Voi pur da me partite. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 10. Voi pur da me partite

Read license
5.99 USD

Seller Mike Lyons
PDF, 362.2 Kb ID: SM-000296028 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
10 to 10 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
6'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

10. Voi pur da me partite – You do not mind me, though

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.11 A un Giro Sol de' Begl' Occhi. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 11. A un Giro Sol de' Begl' Occhi

Read license
3.99 USD

Seller Mike Lyons
PDF, 368.1 Kb ID: SM-000296029 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
11 to 11 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.12 Ohime se Tanto Amate. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 12. Ohime se Tanto Amate

Read license
5.99 USD

Seller Mike Lyons
PDF, 345.1 Kb ID: SM-000296030 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
12 to 12 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
5'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

12. Ohime se Tanto Amate – Alas! If you like it too much

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.13 Io mi son giovinetta. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 13. Io mi son giovinetta

Read license
4.99 USD

Seller Mike Lyons
PDF, 428.8 Kb ID: SM-000296031 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
13 to 13 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

13. Io mi son giovinetta – I’m a young girl, laughing and singing

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.14 Quel augellin che canta. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 14. Quel augellin che canta

Read license
4.99 USD

Seller Mike Lyons
PDF, 386.7 Kb ID: SM-000296032 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
14 to 14 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Advanced
Duration
2'0
Genre
Classical/Arrangement
Monteverdi - The Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

14. Quel augellin che canta – That little bird that sings

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.15 Non più guerra pietate. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 15. Non più guerra pietate

Read license
4.99 USD

Seller Mike Lyons
PDF, 376.8 Kb ID: SM-000296034 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
15 to 15 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

15. Non più guerra pietate – No more fighting, pray, my beautiful eyes

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.16 Si ch'io vorrei morire. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 16. Si ch'io vorrei morire

Read license
4.99 USD

Seller Mike Lyons
PDF, 381.5 Kb ID: SM-000296035 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
16 to 16 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Advanced
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

16. Si ch'io vorrei morire – How I want to die

There are some very 'tricky' clashes which need to be handled in a vocal style. Plenty of vibrato and confidence is needed to pull these off.


Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.17 Anima dolorosa. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 17. Anima dolorosa

Read license
4.99 USD

Seller Mike Lyons
PDF, 362.0 Kb ID: SM-000296036 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
17 to 17 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Advanced
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

17. Anima dolorosa – Suffering soul that lives so much pain and torment

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments

No.18 Anima del cor mio. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 18. Anima del cor mio

Read license
3.99 USD

Seller Mike Lyons
PDF, 342.9 Kb ID: SM-000296038 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
18 to 18 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
2'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

18. Anima del cor mio – My soul’s heart

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request.
  • Comments

No.19 Longe da te cor mio. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 19. Longe da te cor mio

Read license
4.99 USD

Seller Mike Lyons
PDF, 340.3 Kb ID: SM-000296039 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Recorder, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
19 to 19 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Medium
Duration
3'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

19. Longe da te cor mio – Stay away from me

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)

Other transpositions available on request
  • Comments

No.20 Piagne e sospira. Arrangement for quintet instruments

Title by uploader: Monteverdi Madrigals Book 4 - 20. Piagne e sospira

Read license
5.99 USD

Seller Mike Lyons
PDF, 394.8 Kb ID: SM-000296040 Upload date: 05 Sep 2017
Instrumentation
Clarinet, Saxophone, Bassoon, Cor anglais, Trombone basso, Trombone tenor, Baritone horn, Alto horn, Cornet, Euphonium, Horn, Trombone, Trumpet, Tuba, Tenorhorn, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone, Bass Tuba
Scored for
Quintet
Type of score
Full score, Parts
Movement(s)
20 to 20 from 20
Arranger
Mike Lyons
Publisher
Mike Lyons
Difficulty
Advanced
Duration
7'0
Genre
Classical/Arrangement
Monteverdi - Fourth Book of Madrigals 1603

In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his “Stile Nuovo”. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the “I IV V and minor” of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.

20. Piagne e sospira – He drinks and sighs

This is a very complex song, needing lots of breath control and a strong sense of how the music flows. More so than almost any other song in this book.

Flexible quintet parts are supplied as follows:

Part 1 in Bb,
Part 2 in Bb,
Part 3 in Bb/Eb/F,
Part 4 in Bb/Eb/C(Bass clef) and
Part 5 in Bb/Eb/C(Bass clef)
  • Comments
 
 
   
   
 
 
   
 
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