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La boda de Luis Alonso. Intermedio
Classical/Arrangement • Alternative Title: La boda de Luis Alonso. Intermedio
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For piano
Title by uploader: La boda de Luis Alonso. Intermedio, for Piano
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
Piano score |
Key |
A major |
Publisher |
Unión Musical Española |
Difficulty |
Advanced |
For two guitars
Title by uploader: La Boda de Luis Alonso - Intermedio by Gerónimo Giménez
Instrumentation |
Classical guitar |
Scored for |
Duo |
Type of score |
Parts |
Key |
A minor |
Movement(s) |
1 to 1 from 1 |
Arranger |
Tony Hauser |
Publisher |
Tony Hauser |
Difficulty |
Advanced |
Duration |
5'40 |
Year of composition |
1897 |
Genre |
Classical |
La Boda de Luis Alonso 1897 and its predecessor El Baile de Luis Alonso are two of the most beloved zarzuelas of the Spanish repertoire. The “Intermedio” presented here is an arrangement from the orchestral score of the instrumental section of the opera. I was approached by my friend and wonderful flamenco guitarist Pedro Cortes to make an arrangement for two guitars that he could perform with a dancer. This is a common choreography in the classical Spanish dance repertoire. After I made the arrangement I discovered that my teacher in Spain, Luis Maravilla, had made an arrangement which unfortunately may be out of print.
I offer two publications fully notated for two guitars and a version of the same that includes tablature that may interest flamenco guitarists.
For two guitars with tablature
Title by uploader: La Boda de Luis Alonso - Intermedio by Gerónimo Giménez arr. with tablature
Instrumentation |
Classical guitar |
Scored for |
Duo |
Type of score |
Parts, Tablature |
Key |
A minor |
Movement(s) |
1 to 1 from 1 |
Arranger |
Tony Hauser |
Publisher |
Tony Hauser |
Difficulty |
Advanced |
Duration |
5'40 |
Genre |
Classical |
La Boda de Luis Alonso 1897 and its predecessor El Baile de Luis Alonso are two of the most beloved zarzuelas of the Spanish repertoire. The “Intermedio” presented here is an arrangement from the orchestral score of the instrumental section of the opera. I was approached by my friend and wonderful flamenco guitarist Pedro Cortes to make an arrangement for two guitars that he could perform with a dancer. This is a common choreography in the classical Spanish dance repertoire. After I made the arrangement I discovered that my teacher in Spain, Luis Maravilla, had made an arrangement which unfortunately may be out of print.
I offer two publications fully notated for two guitars and a version of the same that includes tablature that may interest flamenco guitarists.
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