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Quartet for Four French Horns '...my sound-shaped longing' (2000/2008), Op.13

Classical/Chamber music • 2008 • Alternative Title: ...my sound-shaped longing
 
 
   
 

Score

Title by uploader: Quartet for Four French Horns '...my sound-shaped longing' - Score (2000/2008), Op.13


40.00 USD

PDF, 14.25 Mb ID: SM-000621010 Upload date: 29 Aug 2025
Instrumentation
Horn
Scored for
Quartet
Type of score
Full score
Movement(s)
1 to 4 from 4
Publisher
Johann Teibenbacher
Difficulty
Difficult
Duration
9'0
I composed my horn quartet partly in 2000 and partly in 2008.
The Movement titles are:
1st Movement: Andante (2000)
2nd Movement: Allegro vigoroso (2000/2008)
3rd Movement: Andante (2008)
4th Movement: Moderato assai
“Trara, das tönt wie Jagdgesang” (2000/2008)

The work, which is quite dissonant in parts, expresses different moods musically and offers a rich palette of expression, ranging from the mysterious to hard rhythms and from the impasto to the rather disturbing call to hunt.
The piece is by no means suitable for colorful evenings, but exclusively for a concentrated concert setting.
  • Comments

Parts

Title by uploader: Quartet for Four French Horns '...my sound-shaped longing' - Parts (2000/2008), Op.13


40.00 USD

PDF, 12.36 Mb ID: SM-000621011 Upload date: 29 Aug 2025
Instrumentation
Horn
Scored for
Quartet
Type of score
Parts
Movement(s)
1 to 4 from 4
Publisher
Johann Teibenbacher
Difficulty
Difficult
Duration
9'0
I composed my horn quartet partly in 2000 and partly in 2008.
The Movement titles are:
1st Movement: Andante (2000)
2nd Movement: Allegro vigoroso (2000/2008)
3rd Movement: Andante (2008)
4th Movement: Moderato assai
“Trara, das tönt wie Jagdgesang” (2000/2008)

The work, which is quite dissonant in parts, expresses different moods musically and offers a rich palette of expression, ranging from the mysterious to hard rhythms and from the impasto to the rather disturbing call to hunt.
The piece is by no means suitable for colorful evenings, but exclusively for a concentrated concert setting.
  • Comments
 
 
   
 
 
   
 
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