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Romanza Patetica
Классика/Камерная музыка • Альтернативное название: Romanza Patetica for string quintet
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For double bass and string quartet
Название пользователя: Romanza Patetica- Giovanni Bottesini
Инструменты |
Скрипка, Альт, Виолончель, Контрабас |
Состав исполнителей |
Квинтет |
Тип нот |
Партитура |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
In creating this transcription of Bottesini’s Romanza Patetica I have drawn from the Yorke Edition by Rodney Slatford and an edition in E minor titled Mélodie edited by Flechsig. The Yorke version bears Bottesini’s own title and is based on his autograph piano score (Parma 47538). I have chosen to use the title and editorial markings (slurs, dynamics etc.) shown in the Yorke edition. That said, however, I feel the phrasing indications printed are only a starting point and if followed to the letter, actually do the piece, which should unfold freely and with an improvisational feel, a disservice. All of Bottesini’s harmonic and melodic content remains intact and unaltered.
I believe this beautiful work by Bottesini takes on a more profound meaning expressed as chamber music in the string quintet setting. It benefits greatly being freed of the harness of the piano’s equal tempered tuning and by the warmth, humanness and interactivity of the other string players.
John Feeney 2015
For double bass and string quartet – violin II part
Название пользователя: Romanza Patetica- Giovanni Bottesini – violin II part
Инструменты |
Скрипка |
Состав исполнителей |
Соло, Квинтет |
Тип нот |
Партии |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
violin 2 part with solo bass cue.
For double bass and string quartet – violin I part
Название пользователя: Romanza Patetica- Giovanni Bottesini – violin I part
Инструменты |
Скрипка |
Состав исполнителей |
Соло, Квинтет |
Тип нот |
Партии |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
In creating this transcription of Bottesini’s Romanza Patetica I have drawn from the Yorke Edition by Rodney Slatford and an edition in E minor titled Mélodie edited by Flechsig. The Yorke version bears Bottesini’s own title and is based on his autograph piano score (Parma 47538). I have chosen to use the title and editorial markings (slurs, dynamics etc.) shown in the Yorke edition. That said, however, I feel the phrasing indications printed are only a starting point and if followed to the letter, actually do the piece, which should unfold freely and with an improvisational feel, a disservice. All of Bottesini’s harmonic and melodic content remains intact and unaltered.
I believe this beautiful work by Bottesini takes on a more profound meaning expressed as chamber music in the string quintet setting. It benefits greatly being freed of the harness of the piano’s equal tempered tuning and by the warmth, humanness and interactivity of the other string players.
John Feeney 2015
For double bass and string quartet – solo part
Название пользователя: Romanza Patetica- Giovanni Bottesini – solo part
Инструменты |
Контрабас |
Состав исполнителей |
Соло, Квинтет |
Тип нот |
Сольная партия |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
In creating this transcription of Bottesini’s Romanza Patetica I have drawn from the Yorke Edition by Rodney Slatford and an edition in E minor titled Mélodie edited by Flechsig. The Yorke version bears Bottesini’s own title and is based on his autograph piano score (Parma 47538). I have chosen to use the title and editorial markings (slurs, dynamics etc.) shown in the Yorke edition. That said, however, I feel the phrasing indications printed are only a starting point and if followed to the letter, actually do the piece, which should unfold freely and with an improvisational feel, a disservice. All of Bottesini’s harmonic and melodic content remains intact and unaltered.
I believe this beautiful work by Bottesini takes on a more profound meaning expressed as chamber music in the string quintet setting. It benefits greatly being freed of the harness of the piano’s equal tempered tuning and by the warmth, humanness and interactivity of the other string players.
John Feeney 2015
For double bass and string quartet – viola part
Название пользователя: Romanza Patetica- Giovanni Bottesini – viola part
Инструменты |
Альт |
Состав исполнителей |
Соло, Квинтет |
Тип нот |
Партии |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
In creating this transcription of Bottesini’s Romanza Patetica I have drawn from the Yorke Edition by Rodney Slatford and an edition in E minor titled Mélodie edited by Flechsig. The Yorke version bears Bottesini’s own title and is based on his autograph piano score (Parma 47538). I have chosen to use the title and editorial markings (slurs, dynamics etc.) shown in the Yorke edition. That said, however, I feel the phrasing indications printed are only a starting point and if followed to the letter, actually do the piece, which should unfold freely and with an improvisational feel, a disservice. All of Bottesini’s harmonic and melodic content remains intact and unaltered.
I believe this beautiful work by Bottesini takes on a more profound meaning expressed as chamber music in the string quintet setting. It benefits greatly being freed of the harness of the piano’s equal tempered tuning and by the warmth, humanness and interactivity of the other string players.
John Feeney 2015
For double bass and string quartet – cello part
Название пользователя: Romanza Patetica- Giovanni Bottesini – cello part
Инструменты |
Виолончель |
Состав исполнителей |
Соло, Квинтет |
Тип нот |
Партии |
Тональность |
Ре минор |
Части |
1 до 1 из 1 |
Аранжировщик |
John Feeney |
Издатель |
John Feeney |
Время звучания |
7'22 |
In creating this transcription of Bottesini’s Romanza Patetica I have drawn from the Yorke Edition by Rodney Slatford and an edition in E minor titled Mélodie edited by Flechsig. The Yorke version bears Bottesini’s own title and is based on his autograph piano score (Parma 47538). I have chosen to use the title and editorial markings (slurs, dynamics etc.) shown in the Yorke edition. That said, however, I feel the phrasing indications printed are only a starting point and if followed to the letter, actually do the piece, which should unfold freely and with an improvisational feel, a disservice. All of Bottesini’s harmonic and melodic content remains intact and unaltered.
I believe this beautiful work by Bottesini takes on a more profound meaning expressed as chamber music in the string quintet setting. It benefits greatly being freed of the harness of the piano’s equal tempered tuning and by the warmth, humanness and interactivity of the other string players.
John Feeney 2015
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