Простой способ публикации, продажи и покупки нот и лицензий на исполнение!
   
 
 
 
 

Grand Solo in C Minor

Классика/Пьеса • Альтернативное название: Grand Solo in C Minor- D. Dragonetti
 
 
   
 

For double bass and piano

Название пользователя: Dragonetti Grand Solo in C Minor

Прочитать лицензию
6.00 USD

Продавец John Feeney
PDF, 740.3 Кб ID: SM-000233460 Дата публикации: 23 окт 2015
Инструменты
Фортепиано, Контрабас
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей
Тональность
До минор
Части
1 до 2 из 2
Аранжировщик
John Feeney
Издатель
John Feeney
Время звучания
12'0
My thanks to the British Library which has safeguarded this important and interesting music for so long a time! The “Grand Solo in C Minor” is a title I have given this work. In it's original form it is known as the Quintet No. 13 – scored for solo double bass, violin, two violas, and basso. Among the collection of Drago's manuscripts at the British Library are piano accompaniments to many of his works that were composed by Simon Sechter and Cipriani Potter.This is an excellent representative of Dragonetti’s compositional skill. Dragonetti frequently employs popular tunes as well as melodic material from more serious works in the construction of his themes. In this quintet the opening theme of the Adagio was likely “borrowed” from the second movement of Haydn’s Symphony No. 99. Dragonetti takes Haydn’s G major theme and casts it in C minor which gives it an expansive palette and sense of pathos. Thematic material of the Allegretto may also have been derived from a popular canzonetta of the day (“Ho perso l’ogaletto”). This movement has a gracious and amiable affect and is punctuated by numerous instances of parallel fourths and fifths, perhaps an inside joke directed by the composer at some officious pedagogue. It is important, in performing the music of Dragonetti to imagine what what he must have played like. How did he create such a stir? Daring phrasing, a huge dynamic range and some degree of improvisation during repeated material are necessary ingredients to bring this music to life. Enjoy!
  • Комментарии

Партия контрабаса

Название пользователя: Dragonetti Grand Solo in C Minor
Grand Solo in C Minor: Партия контрабаса by Доменико Драгонетти

Прочитать лицензию
3.00 USD

Продавец John Feeney
PDF, 332.0 Кб ID: SM-000233461 Дата публикации: 23 окт 2015
Инструменты
Контрабас
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Сольная партия
Тональность
До минор
Части
1 до 2 из 2
Аранжировщик
John Feeney
Издатель
John Feeney
Время звучания
12'0
My thanks to the British Library which has safeguarded this important and interesting music for so long a time! The “Grand Solo in C Minor” is a title I have given this work. In it's original form it is known as the Quintet No. 13 – scored for solo double bass, violin, two violas, and basso. Among the collection of Drago's manuscripts at the British Library are piano accompaniments to many of his works that were composed by Simon Sechter and Cipriani Potter.This is an excellent representative of Dragonetti’s compositional skill. Dragonetti frequently employs popular tunes as well as melodic material from more serious works in the construction of his themes. In this quintet the opening theme of the Adagio was likely “borrowed” from the second movement of Haydn’s Symphony No. 99. Dragonetti takes Haydn’s G major theme and casts it in C minor which gives it an expansive palette and sense of pathos. Thematic material of the Allegretto may also have been derived from a popular canzonetta of the day (“Ho perso l’ogaletto”). This movement has a gracious and amiable affect and is punctuated by numerous instances of parallel fourths and fifths, perhaps an inside joke directed by the composer at some officious pedagogue. It is important, in performing the music of Dragonetti to imagine what what he must have played like. How did he create such a stir? Daring phrasing, a huge dynamic range and some degree of improvisation during repeated material are necessary ingredients to bring this music to life. Enjoy!
  • Комментарии

Alternate version

Название пользователя: Dragonetti Grand Solo in C Minor- Alternate Version!

Прочитать лицензию
6.00 USD

Продавец John Feeney
PDF, 779.7 Кб ID: SM-000233462 Дата публикации: 23 окт 2015
Инструменты
Фортепиано, Контрабас
Состав исполнителей
Соло, Аккомпанирующее фортепиано
Тип нот
Партитура для двух исполнителей
Тональность
До минор
Части
1 до 2 из 2
Аранжировщик
John Feeney
Издатель
John Feeney
Время звучания
12'0
This alternate version has a piano part realized by a different composer than the first version. Both manuscripts were from Dragonetti's music housed in the manuscript room of the British Library. A fascinating alliterative!
My thanks to the British Library which has safeguarded this important and interesting music for so long a time! The “Grand Solo in C Minor” is a title I have given this work. In it's original form it is known as the Quintet No. 13 – scored for solo double bass, violin, two violas, and basso. Among the collection of Drago's manuscripts at the British Library are piano accompaniments to many of his works that were composed by Simon Sechter and Cipriani Potter.This is an excellent representative of Dragonetti’s compositional skill. Dragonetti frequently employs popular tunes as well as melodic material from more serious works in the construction of his themes. In this quintet the opening theme of the Adagio was likely “borrowed” from the second movement of Haydn’s Symphony No. 99. Dragonetti takes Haydn’s G major theme and casts it in C minor which gives it an expansive palette and sense of pathos. Thematic material of the Allegretto may also have been derived from a popular canzonetta of the day (“Ho perso l’ogaletto”). This movement has a gracious and amiable affect and is punctuated by numerous instances of parallel fourths and fifths, perhaps an inside joke directed by the composer at some officious pedagogue. It is important, in performing the music of Dragonetti to imagine what what he must have played like. How did he create such a stir? Daring phrasing, a huge dynamic range and some degree of improvisation during repeated material are necessary ingredients to bring this music to life. Enjoy!
  • Комментарии
 
 
   
 
 
   
 
0:00
00:00