| |
Para vocais e piano (ou Guitarra)
Instrumentação |
Piano, Voz, Guitarra clássica |
Arrajador |
Robert Prizeman |
Gênero |
Pop |
para quartetos de cordas
Título por Autor: Suo Gan (String Quartet)
Instrumentação |
Violino, Viola, Violoncelo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Fá (F) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Easy |
duração |
2'50 |
This beautiful arrangement of the famous traditional Welsh lullaby is suitable for all standards of quartets-school,amateur and professional.With warm,sensitive harmonies and smooth, gentle rhythms the atmosphere of a lullaby is effectively created.
For trombone quartet
Título por Autor: Suo Gan - trombone quartet
Instrumentação |
Trombone baixo, Trombone |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Arrajador |
Austin Ralphson |
Editora |
Austin Ralphson |
dificuldade |
Advanced |
Gênero |
Clássico/Instrumental |
This is a trombone quartet arrangement of a lovely welsh folk lullaby called Suo Gan. It has a simple, yet beautiful melody and this arrangement takes full advantage of the sonorous, smooth capabilities that trombones can offer. Happy wallowing!
See the complete score at https://youtu.be/n0VhKD2Fq5o
Para quarteto de sopro
Título por Autor: Suo Gan (Woodwind Quartet)
Instrumentação |
Flauta, Clarinete, Fagote, Oboé |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Lá (A) bemol maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Easy |
duração |
2'30 |
Ano de composição |
2012 |
A nice arrangement of this famous Welsh lullaby for woodwind quartet which is suitable for students, amateurs or professional players. Some of the score and one of the parts can be previewed and there is an audio sample of almost the entire arrangement.
For wind quintet
Título por Autor: Suo Gan – Wind Quintet
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Contrafagote |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'0 |
A delightful Welsh lullaby, set here for Wind Quintet (Fl, Ob, Cl, Bssn and Contra).
There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. even the contra gets a look in.
Apparently, an arrangement of this folk melody was used in the film "Empire of the Sun" because the title sounded like the Japanese word "Shogun" - I kid you not!
This beautiful melody would suit a quiet moment in any concert.
For clarinet quintet
Título por Autor: Suo Gan – Clarinet Quintet
Instrumentação |
Clarinete, Clarinete baixo |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Ré (D) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'0 |
A delightful Welsh lullaby, set here for Clarinet Quintet (Eb, Bb x 3, Bass). There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. Even the bass gets a look in. This beautiful melody would suit a quiet moment in any concert.
Apparently, an arrangement of this lovely Welsh folk tune was used in the film "Empire of the Sun" because the title sounds like the Japanese word "Shogun" - I kid you not!
For string quintet or string orchestra
Título por Autor: Suo Gan – String Quintet or String Orchestra
Instrumentação |
Violino, Viola, Violoncelo, Contrabaixo |
Composição para |
Quinteto, Orquestra de Cordas |
Tipo de composição |
Partitura completa, Partes |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
4'0 |
A delightful Welsh lullaby, set here for String Quintet (2 x Vln, Vla, Vlc, CB There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. even the bass gets a look in. This beautiful melody would suit a quiet moment in any concert.
An arrangement of this tune was used in the film "Empire of the Sun" because is sounded like "Shogun". I kid you not!
The arrangement is also suitable for string orchestra.
Para Piano
Título por Autor: Suo Gan (Piano)
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
Partitura piano |
chave |
Fá (F) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Easy |
duração |
2'30 |
Ano de composição |
2014 |
A lovely arrangement of this Welsh folk song in a Romantic style with rich harmonies supporting the melody.A preview and sound sample are available. The piece is not difficult and would be suitable for students.
For concert harp
Título por Autor: Suo Gan (Concert Harp)
Instrumentação |
Harpa |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Fá (F) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Medium |
duração |
2'37 |
A really nice arrangement for harp of this beautiful Welsh folk tune,with lovely Romantic harmonies!
para violino
Título por Autor: Suo Gan (Violin and Piano)
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Ré (D) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Advanced |
duração |
2'30 |
An arrangement of this beautiful Welsh traditional lullaby in a romantic style.
para oboe e piano
Título por Autor: Suo Gan (Oboe and Piano)
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Ré (D) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Medium |
duração |
2'30 |
An arrangement of a traditional Welsh lullaby for oboe and piano in a romantic style.
para Violoncelo e piano
Título por Autor: Suo Gan (Cello and Piano)
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Medium |
duração |
2'30 |
This beautiful Welsh lullaby is arranged for cello and piano. The cello has the tune in the lower register for the first verse and in the higher octave for the second. It is a calm and peaceful arrangement in which the melody is supported by a simple but rich harmonic accompaniment.
para flauta e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for flute and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby. This work for flutist and piano is not at all a set of variations on a theme, because the flute always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the flutist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
para fagote e piano
Título por Autor: Suo Gan (Bassoon and Piano)
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Thomas Quigley |
Editora |
Thomas Quigley |
dificuldade |
Medium |
duração |
2'30 |
This is an arrangement of the beautiful Welsh traditional lullaby. The bassoon has the melody for both verses-low at first and then in the higher octave. It has a simple accompaniment with rich chords.
For flute and piano – score and part
Título por Autor: Suo Gan, Traditional Welsh Lullaby for flute and piano, score and part
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Medium |
duração |
3'0 |
Ano de composição |
2013 |
Gênero |
Clássico/Instrumental |
This is an arrangement of the famous Welsh lullaby.
This work for flute and piano is not at all a set of variations on a theme, because
the flute always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the flutist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Bb clarinet and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for Bb clarinet and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Clarinete |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for clarinet and piano is not at all a set of variations on a theme, because
the clarinet always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the clarinetist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
para violino
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for violin and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby. This work for violin and piano is not at all a set of variations on a theme, because the violin always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the violinist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
For Bb soprano (or tenor saxophone) and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for Bb soprano or tenor saxophone and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Saxofone Tenor, Saxofone soprano |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for saxophone and piano is not at all a set of variations on a theme, because
the saxophone always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the saxophonist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Eb alto saxophone and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for Eb alto saxophone and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Saxophone alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for saxophone and piano is not at all a set of variations on a theme, because
the saxophone always plays, without embellishment, the same sixteen-measure
sequence four times. The four first measure of the this theme are played once as an
introduction. The piano, however, is asked to create a different atmosphere each
time the theme returns, replacing the meaning of the words. It is therefore the job
of the saxophonist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Bb trumpet and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for Bb trumpet and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Trombeta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Medium |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for trumpet and piano is not at all a set of variations on a theme, because
the trumpet always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an introduction.
The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the trumpetist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
para fagote e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for bassoon and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby. This work for bassoon and piano is not at all a set of variations on a theme, because the bassoon always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
para oboe e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for oboe and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for oboe and piano is not at all a set of variations on a theme, because
the oboe always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the oboist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For english horn in F and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for english horn in F and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Corne Inglês |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.
This work for english horn and piano is not at all a set of variations on a theme, because
the english horn always plays, without embellishment, the same sixteen-measure
sequence four times. The four first measure of the this theme are played once as an
introduction. The piano, however, is asked to create a different atmosphere each
time the theme returns, replacing the meaning of the words. It is therefore the job
of the player to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For double bass and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for double bass and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Contrabaixo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby. This work for bass and piano is not at all a set of variations on a theme, because the bass always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
For horn in F and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for horn in F and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Trompa francesa |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby. This work for horn and piano is not at all a set of variations on a theme, because the horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
para Violoncelo e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for cello and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.This work for cello and piano is not at all a set of variations on a theme, because the cello always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the cellist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
para viola e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for viola and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Viola |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.This work for viola and piano is not at all a set of variations on a theme, because the viola always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the violist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
para trombone e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for trombone and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Trombone |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.This work for trombone and piano is not at all a set of variations on a theme, because the trombone always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the trombonist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
For tuba and piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for tuba and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Tuba |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Editora |
Musik Fabrik |
dificuldade |
Very easy |
duração |
3'30 |
Ano de composição |
2008 |
Gênero |
World / Etnico |
This is an arrangement of the famous Welsh lullaby.This work for tuba and piano is not at all a set of variations on a theme, because the tuba always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the tubist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
For two instruments
Título por Autor: Suo Gan
Instrumentação |
Violino, Mandolim, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers |
Arrajador |
Michael Reichenbach |
Editora |
Michael Reichenbach |
dificuldade |
Easy |
Gênero |
Clássico/Instrumental |
Welsh Lullaby
Para vocais e piano
Título por Autor: Traditional Welsh Lullaby: Suo Gân, arranged for voice and piano by Jean-Thierry Boisseau
Instrumentação |
Piano, Voz |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Partitura piano-vocal |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Jean-Thierry Boisseau |
Lírico |
folklore |
Editora |
Musik Fabrik |
idioma |
Galês |
dificuldade |
Medium |
duração |
3'30 |
Ano de composição |
2015 |
This is an arrangement of the famous Welsh lullaby.This work forvoice and piano is not at all a set of variations on a theme, because the singer sings the same unembelished melody for the four stanzas of the song. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the singer to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!t thing to do!
Para vocais e piano (ou Guitarra)
Instrumentação |
Piano, Voz, Guitarra clássica |
Arrajador |
David Seaman |
Lírico |
Robert Bryan |
Gênero |
Clássico |
Instrumentação |
Voz |
Tipo de composição |
Partitura principal |
Lírico |
Robert Bryan |
Gênero |
World / Etnico |
Instrumentação |
Viola |
Gênero |
Clássico |
Instrumentação |
Saxofone Tenor |
Gênero |
Clássico |
Instrumentação |
Clarinete |
Gênero |
Clássico |
Instrumentação |
Trompa francesa |
Gênero |
Clássico |
Instrumentação |
Saxophone alto |
Gênero |
Clássico |
Instrumentação |
Violino |
Gênero |
Clássico |
Instrumentação |
Gravador |
Gênero |
Clássico |
Instrumentação |
Violoncelo |
Gênero |
Clássico |
Instrumentação |
Flauta |
Gênero |
Clássico |
Instrumentação |
Trombone |
Gênero |
Clássico |
Instrumentação |
Trombeta |
Gênero |
Clássico |
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