| |
Für Stimme und Klavier (oder Gitarre)
Instrumentierung |
Klavier, Stimme, Klassische Gitarre |
Arrangeur |
Robert Prizeman |
Genre |
Pop |
Für Streichquartett
Titel nach Uploader: Suo Gan (String Quartet)
Instrumentierung |
Geige, Bratsche, Cello |
Partitur für |
Quartett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Leicht |
Länge |
2'50 |
This beautiful arrangement of the famous traditional Welsh lullaby is suitable for all standards of quartets-school,amateur and professional.With warm,sensitive harmonies and smooth, gentle rhythms the atmosphere of a lullaby is effectively created.
For trombone quartet
Titel nach Uploader: Suo Gan - trombone quartet
Instrumentierung |
Bassposaune, Posaune |
Partitur für |
Quartett |
Art der Partitur |
Partitur, Stimmen |
Arrangeur |
Austin Ralphson |
Verleger |
Austin Ralphson |
Schwierigkeitsgrad |
Fortgeschritten |
Genre |
Klassische Musik/Instrumentalmusik |
This is a trombone quartet arrangement of a lovely welsh folk lullaby called Suo Gan. It has a simple, yet beautiful melody and this arrangement takes full advantage of the sonorous, smooth capabilities that trombones can offer. Happy wallowing!
See the complete score at https://youtu.be/n0VhKD2Fq5o
For woodwind quartet
Titel nach Uploader: Suo Gan (Woodwind Quartet)
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe |
Partitur für |
Quartett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
As-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Leicht |
Länge |
2'30 |
Jahr der Komposition |
2012 |
A nice arrangement of this famous Welsh lullaby for woodwind quartet which is suitable for students, amateurs or professional players. Some of the score and one of the parts can be previewed and there is an audio sample of almost the entire arrangement.
For wind quintet
Titel nach Uploader: Suo Gan – Wind Quintet
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe, Kontrafagott |
Partitur für |
Quintett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
C-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Mike Lyons |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Mittel |
Länge |
4'0 |
A delightful Welsh lullaby, set here for Wind Quintet (Fl, Ob, Cl, Bssn and Contra).
There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. even the contra gets a look in.
Apparently, an arrangement of this folk melody was used in the film "Empire of the Sun" because the title sounded like the Japanese word "Shogun" - I kid you not!
This beautiful melody would suit a quiet moment in any concert.
For clarinet quintet
Titel nach Uploader: Suo Gan – Clarinet Quintet
Instrumentierung |
Klarinette, Bassklarinette |
Partitur für |
Quintett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
D-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Mike Lyons |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Mittel |
Länge |
4'0 |
A delightful Welsh lullaby, set here for Clarinet Quintet (Eb, Bb x 3, Bass). There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. Even the bass gets a look in. This beautiful melody would suit a quiet moment in any concert.
Apparently, an arrangement of this lovely Welsh folk tune was used in the film "Empire of the Sun" because the title sounds like the Japanese word "Shogun" - I kid you not!
For string quintet or string orchestra
Titel nach Uploader: Suo Gan – String Quintet or String Orchestra
Instrumentierung |
Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Quintett, Streichorchester |
Art der Partitur |
Partitur, Stimmen |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Mike Lyons |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Mittel |
Länge |
4'0 |
A delightful Welsh lullaby, set here for String Quintet (2 x Vln, Vla, Vlc, CB There is a short intro, followed by the main melody, harmonised in the traditional way, then an interlude followed by two restatements of the theme on different instruments. even the bass gets a look in. This beautiful melody would suit a quiet moment in any concert.
An arrangement of this tune was used in the film "Empire of the Sun" because is sounded like "Shogun". I kid you not!
The arrangement is also suitable for string orchestra.
Für Klavier
Titel nach Uploader: Suo Gan (Piano)
Instrumentierung |
Klavier |
Partitur für |
Solo |
Art der Partitur |
Klavierauszug |
Tonart |
F-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Leicht |
Länge |
2'30 |
Jahr der Komposition |
2014 |
A lovely arrangement of this Welsh folk song in a Romantic style with rich harmonies supporting the melody.A preview and sound sample are available. The piece is not difficult and would be suitable for students.
For concert harp
Titel nach Uploader: Suo Gan (Concert Harp)
Instrumentierung |
Harfe |
Partitur für |
Solo |
Art der Partitur |
Für einen Interpreten |
Tonart |
F-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Mittel |
Länge |
2'37 |
A really nice arrangement for harp of this beautiful Welsh folk tune,with lovely Romantic harmonies!
Für Violine und Klavier
Titel nach Uploader: Suo Gan (Violin and Piano)
Instrumentierung |
Klavier, Geige |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
D-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
2'30 |
An arrangement of this beautiful Welsh traditional lullaby in a romantic style.
Für Oboe und Klavier
Titel nach Uploader: Suo Gan (Oboe and Piano)
Instrumentierung |
Klavier, Oboe |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
D-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Mittel |
Länge |
2'30 |
An arrangement of a traditional Welsh lullaby for oboe and piano in a romantic style.
Für Cello und Klavier
Titel nach Uploader: Suo Gan (Cello and Piano)
Instrumentierung |
Klavier, Cello |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
G-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Mittel |
Länge |
2'30 |
This beautiful Welsh lullaby is arranged for cello and piano. The cello has the tune in the lower register for the first verse and in the higher octave for the second. It is a calm and peaceful arrangement in which the melody is supported by a simple but rich harmonic accompaniment.
Für Flöte und Piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for flute and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Flöte |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby. This work for flutist and piano is not at all a set of variations on a theme, because the flute always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the flutist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
Für Fagott und Klavier
Titel nach Uploader: Suo Gan (Bassoon and Piano)
Instrumentierung |
Klavier, Fagott |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
G-Dur |
Arrangeur |
Thomas Quigley |
Verleger |
Thomas Quigley |
Schwierigkeitsgrad |
Mittel |
Länge |
2'30 |
This is an arrangement of the beautiful Welsh traditional lullaby. The bassoon has the melody for both verses-low at first and then in the higher octave. It has a simple accompaniment with rich chords.
For flute and piano – score and part
Titel nach Uploader: Suo Gan, Traditional Welsh Lullaby for flute and piano, score and part
Instrumentierung |
Klavier, Flöte |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
3'0 |
Jahr der Komposition |
2013 |
Genre |
Klassische Musik/Instrumentalmusik |
This is an arrangement of the famous Welsh lullaby.
This work for flute and piano is not at all a set of variations on a theme, because
the flute always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the flutist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Bb clarinet and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for Bb clarinet and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Klarinette |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for clarinet and piano is not at all a set of variations on a theme, because
the clarinet always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the clarinetist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
Für Violine und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for violin and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Geige |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby. This work for violin and piano is not at all a set of variations on a theme, because the violin always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the violinist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
For Bb soprano (or tenor saxophone) and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for Bb soprano or tenor saxophone and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Tenorsaxophon, Sopransaxophone |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for saxophone and piano is not at all a set of variations on a theme, because
the saxophone always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the saxophonist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Eb alto saxophone and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for Eb alto saxophone and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Altsaxophon |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for saxophone and piano is not at all a set of variations on a theme, because
the saxophone always plays, without embellishment, the same sixteen-measure
sequence four times. The four first measure of the this theme are played once as an
introduction. The piano, however, is asked to create a different atmosphere each
time the theme returns, replacing the meaning of the words. It is therefore the job
of the saxophonist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For Bb trumpet and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for Bb trumpet and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Trompete |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for trumpet and piano is not at all a set of variations on a theme, because
the trumpet always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an introduction.
The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the trumpetist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
Für Fagott und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for bassoon and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Fagott |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby. This work for bassoon and piano is not at all a set of variations on a theme, because the bassoon always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
Für Oboe und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for oboe and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Oboe |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for oboe and piano is not at all a set of variations on a theme, because
the oboe always plays, without embellishment, the same sixteen-measure sequence
four times. The four first measure of the this theme are played once as an intro-
duction. The piano, however, is asked to create a different atmosphere each time
the theme returns, replacing the meaning of the words. It is therefore the job
of the oboist to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For english horn in F and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for english horn in F and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Englischhorn |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.
This work for english horn and piano is not at all a set of variations on a theme, because
the english horn always plays, without embellishment, the same sixteen-measure
sequence four times. The four first measure of the this theme are played once as an
introduction. The piano, however, is asked to create a different atmosphere each
time the theme returns, replacing the meaning of the words. It is therefore the job
of the player to find a different way of presenting the same theme, sequence by
sequence, which is not entirely the easiest thing to do!
For double bass and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for double bass and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Kontrabass |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby. This work for bass and piano is not at all a set of variations on a theme, because the bass always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
For horn in F and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for horn in F and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Horn |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby. This work for horn and piano is not at all a set of variations on a theme, because the horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
Für Cello und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for cello and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Cello |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.This work for cello and piano is not at all a set of variations on a theme, because the cello always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the cellist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
Für Viola und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for viola and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Bratsche |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.This work for viola and piano is not at all a set of variations on a theme, because the viola always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the violist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
Für Posaune und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for trombone and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Posaune |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Leicht |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.This work for trombone and piano is not at all a set of variations on a theme, because the trombone always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the trombonist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
For tuba and piano
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for tuba and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Tuba |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
F-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Sehr einfach |
Länge |
3'30 |
Jahr der Komposition |
2008 |
Genre |
Weltmusik / Ethno |
This is an arrangement of the famous Welsh lullaby.This work for tuba and piano is not at all a set of variations on a theme, because the tuba always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the tubist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
For two instruments
Titel nach Uploader: Suo Gan
Instrumentierung |
Geige, Mandoline, Klassische Gitarre |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten |
Arrangeur |
Michael Reichenbach |
Verleger |
Michael Reichenbach |
Schwierigkeitsgrad |
Leicht |
Genre |
Klassische Musik/Instrumentalmusik |
Wiegenlied aus Wales
für Mandoline oder ein anderes Melodieinstrument und Gitarre
Für Stimme und Klavier
Titel nach Uploader: Traditional Welsh Lullaby: Suo Gân, arranged for voice and piano by Jean-Thierry Boisseau
Instrumentierung |
Klavier, Stimme |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Jean-Thierry Boisseau |
Texter |
folklore |
Verleger |
Musik Fabrik |
Sprache |
Walisisch |
Schwierigkeitsgrad |
Mittel |
Länge |
3'30 |
Jahr der Komposition |
2015 |
This is an arrangement of the famous Welsh lullaby.This work forvoice and piano is not at all a set of variations on a theme, because the singer sings the same unembelished melody for the four stanzas of the song. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the singer to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!t thing to do!
Für Stimme und Klavier (oder Gitarre)
Instrumentierung |
Klavier, Stimme, Klassische Gitarre |
Arrangeur |
David Seaman |
Texter |
Robert Bryan |
Genre |
Klassische Musik |
Instrumentierung |
Stimme |
Art der Partitur |
Leadsheet |
Texter |
Robert Bryan |
Genre |
Weltmusik / Ethno |
Instrumentierung |
Bratsche |
Genre |
Klassische Musik |
Instrumentierung |
Tenorsaxophon |
Genre |
Klassische Musik |
Instrumentierung |
Klarinette |
Genre |
Klassische Musik |
Instrumentierung |
Horn |
Genre |
Klassische Musik |
Instrumentierung |
Altsaxophon |
Genre |
Klassische Musik |
Instrumentierung |
Geige |
Genre |
Klassische Musik |
Instrumentierung |
Blockflöte |
Genre |
Klassische Musik |
Instrumentierung |
Cello |
Genre |
Klassische Musik |
Instrumentierung |
Flöte |
Genre |
Klassische Musik |
Instrumentierung |
Posaune |
Genre |
Klassische Musik |
Instrumentierung |
Trompete |
Genre |
Klassische Musik |
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