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Complete Movements
Título por Autor: Mass No.2 in G Major, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz, Violone |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Partitura piano-vocal
Título por Autor: Mass No.2 in G Major (Arrangement for Voices and Piano), D.167
Instrumentação |
Piano, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz |
Composição para |
Solista, Piano de Acompanhamento, Coral |
Tipo de composição |
Partitura piano-vocal |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Advanced |
For SATB choir and organ (with organ part)
Título por Autor: Schubert - Missa in G. Arr. for SATB Choir and Organ (With Organ Part), D.167
Instrumentação |
Órgão, coro misto |
Tipo de composição |
Partitura completa |
Arrajador |
Renato Tagliabue |
Editora |
Renato Tagliabue |
idioma |
Latim |
Gênero |
Religioso/Cristão |
violino parte I
Título por Autor: Mass No.2 in G Major – Violin I Part, D.167
Instrumentação |
Violino |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partes |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
dificuldade |
Advanced |
violino parte II
Título por Autor: Mass No.2 in G Major – Violin II Part, D.167
Instrumentação |
Violino |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partes |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
dificuldade |
Advanced |
parte viola
Título por Autor: Mass No.2 in G Major – Viola Part, D.167
Instrumentação |
Viola |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partes |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
dificuldade |
Advanced |
parte violoncelo e contrabaixo
Título por Autor: Mass No.2 in G Major – Cello and Double Bass Part, D.167
Instrumentação |
Violoncelo, Contrabaixo |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partes |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
dificuldade |
Advanced |
Kyrie
Título por Autor: Mass No.2 in G Major. Kyrie, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Violone |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Instrumentação |
Coro feminino: Soprano, Contratenor/Alto |
Arrajador |
John Leavitt |
Gênero |
Pop |
Gloria
Título por Autor: Mass No.2 in G Major. Gloria, D.167
Instrumentação |
Órgão, Violino, Viola, coro misto |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Ré (D) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
credo
Título por Autor: Mass No.2 in G Major. Credo, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz, Violone |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Sanctus
Título por Autor: Mass No.2 in G Major. Sanctus, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz, Violone |
Composição para |
Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Ré (D) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Benedictus
Título por Autor: Mass No.2 in G Major. Benedictus, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz, Violone |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Agnus Dei
Título por Autor: Mass No.2 in G Major. Agnus Dei, D.167
Instrumentação |
Órgão, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto, Voz, Violone |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
Editora |
Breitkopf und Härtel |
idioma |
Latim |
dificuldade |
Medium |
Instrumentação |
Piano |
Gênero |
Clássico |
Instrumentação |
Piano |
Gênero |
Religioso |
Version for SSAA choir, SSA soli, strings and organ – Full Score
Título por Autor: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Full Score, D.167
Instrumentação |
Órgão, Violino, Viola, Violoncelo, Contrabaixo, Soprano, Mezzo-soprano, Contra Alto, Coro feminino: Soprano, Contratenor/Alto |
Composição para |
Solista, Coral, Orquestra de Cordas |
Tipo de composição |
Partitura completa |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
Arrajador |
Roar Kvam |
Lírico |
old sacred text |
Editora |
KVAMusic Edition |
idioma |
Latim |
dificuldade |
Medium |
duração |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Version for SSAA choir, SSA soli, strings and organ – Vocal Score
Título por Autor: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Vocal Score, D.167
Instrumentação |
Soprano, Mezzo-soprano, Coro feminino |
Composição para |
Solista, Piano de Acompanhamento, Coral |
Tipo de composição |
Partitura vocal |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
Arrajador |
Roar Kvam |
Lírico |
old sacred text |
Editora |
KVAMusic Edition |
idioma |
Latim |
dificuldade |
Medium |
duração |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Version for SSAA choir, SSA soli, strings and organ – Orchestra parts
Título por Autor: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Orchestra parts, D.167
Instrumentação |
Órgão, Violino, Viola, Violoncelo, Contrabaixo |
Tipo de composição |
Partes |
chave |
Sol (G) maior |
movimento(s) |
1 para 6 de 6 |
Arrajador |
Roar Kvam |
Editora |
KVAMusic Edition |
dificuldade |
Medium |
duração |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Ryan Burton 02 dez 2011 06:33
A composition by the great Austrian composer Franz Peter Schubert, who was one of the exponents of the early Romantic era. Mass No.2 like all other masses aspires to grandeur, tragedy, immensity and power. However, Schubert introduces lyrical chamber images into the typical traditional texture. The music, consequently, acquires some light, even a song resembling sounding.
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