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Complete Movements
Title by uploader: Mass No.2 in G Major, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice, Violone |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
G major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Piano-vocal score
Title by uploader: Mass No.2 in G Major (Arrangement for Voices and Piano), D.167
Instrumentation |
Piano, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice |
Scored for |
Soloists, Accompanying piano, Choir |
Type of score |
Piano-vocal score |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Advanced |
For SATB choir and organ (with organ part)
Title by uploader: Schubert - Missa in G. Arr. for SATB Choir and Organ (With Organ Part), D.167
Instrumentation |
Organ, Mixed choir |
Type of score |
Full score |
Arranger |
Renato Tagliabue |
Publisher |
Renato Tagliabue |
Language |
Latin |
Genre |
Religious/Christian |
Violin I part
Title by uploader: Mass No.2 in G Major – Violin I Part, D.167
Instrumentation |
Violin |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Parts |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Difficulty |
Advanced |
Violin II part
Title by uploader: Mass No.2 in G Major – Violin II Part, D.167
Instrumentation |
Violin |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Parts |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Difficulty |
Advanced |
Viola part
Title by uploader: Mass No.2 in G Major – Viola Part, D.167
Instrumentation |
Viola |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Parts |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Difficulty |
Advanced |
Cello and double bass part
Title by uploader: Mass No.2 in G Major – Cello and Double Bass Part, D.167
Instrumentation |
Cello, Double bass |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Parts |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Difficulty |
Advanced |
Kyrie
Title by uploader: Mass No.2 in G Major. Kyrie, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Violone |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
G major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Instrumentation |
Female choir: Soprano, Alto |
Arranger |
John Leavitt |
Genre |
Pop |
Gloria
Title by uploader: Mass No.2 in G Major. Gloria, D.167
Instrumentation |
Organ, Violin, Viola, Mixed choir |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
D major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Credo
Title by uploader: Mass No.2 in G Major. Credo, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice, Violone |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
G major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Sanctus
Title by uploader: Mass No.2 in G Major. Sanctus, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice, Violone |
Scored for |
Choir, Chamber orchestra |
Type of score |
Full score |
Key |
D major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Benedictus
Title by uploader: Mass No.2 in G Major. Benedictus, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice, Violone |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
G major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Agnus Dei
Title by uploader: Mass No.2 in G Major. Agnus Dei, D.167
Instrumentation |
Organ, Violin, Viola, Soprano, Contralto, Tenor, Bass, Mixed choir, Voice, Violone |
Scored for |
Soloists, Choir, Chamber orchestra |
Type of score |
Full score |
Key |
G major |
Publisher |
Breitkopf und Härtel |
Language |
Latin |
Difficulty |
Medium |
Instrumentation |
Piano |
Genre |
Classical |
Instrumentation |
Piano |
Genre |
Religious |
Version for SSAA choir, SSA soli, strings and organ – Full Score
Title by uploader: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Full Score, D.167
Instrumentation |
Organ, Violin, Viola, Cello, Double bass, Soprano, Mezzo-soprano, Contralto, Female choir: Soprano, Alto |
Scored for |
Soloists, Choir, String orchestra |
Type of score |
Full score |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Arranger |
Roar Kvam |
Lyricist |
old sacred text |
Publisher |
KVAMusic Edition |
Language |
Latin |
Difficulty |
Medium |
Duration |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Version for SSAA choir, SSA soli, strings and organ – Vocal Score
Title by uploader: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Vocal Score, D.167
Instrumentation |
Soprano, Mezzo-soprano, Female choir |
Scored for |
Soloists, Accompanying piano, Choir |
Type of score |
Vocal score |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Arranger |
Roar Kvam |
Lyricist |
old sacred text |
Publisher |
KVAMusic Edition |
Language |
Latin |
Difficulty |
Medium |
Duration |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Version for SSAA choir, SSA soli, strings and organ – Orchestra parts
Title by uploader: Schubert: Mass in G Major (Version for SSAA choir, SSA soli, strings and organ) – Orchestra parts, D.167
Instrumentation |
Organ, Violin, Viola, Cello, Double bass |
Type of score |
Parts |
Key |
G major |
Movement(s) |
1 to 6 from 6 |
Arranger |
Roar Kvam |
Publisher |
KVAMusic Edition |
Difficulty |
Medium |
Duration |
25'0 |
The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three "shorter" mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as "Schubert's Mass in G," was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's "final" intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
Ryan Burton 02 Dec 2011 06:33
A composition by the great Austrian composer Franz Peter Schubert, who was one of the exponents of the early Romantic era. Mass No.2 like all other masses aspires to grandeur, tragedy, immensity and power. However, Schubert introduces lyrical chamber images into the typical traditional texture. The music, consequently, acquires some light, even a song resembling sounding.
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