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The Well-Tempered Clavier. Book I • Complete set, BWV 846-869

Clássico/Fuga • Titulo arternativo: Das wohltemperierte
 
 
   
 

set completo

Título por Autor: Well Tempered Clavier (Full Book 1), BWV 846-869


4.80 USD

PDF, 5.62 Mb ID: SM-000075427 data do carregamento: 23 ago 2011
Instrumentação
Piano
Composição para
Solo
Tipo de composição
For a single performer
movimento(s)
1 para 24 de 24
dificuldade
Advanced
Full first book (Well Tempered Clavier) for piano.

Check http://olcbarcelonamusic.load.cd for more sheet music and / or second book of W. T. C.
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Arrangement for SATB saxophone quartet

Título por Autor: J. S. Bach: The Well-Tempered Clavier, Book 1. 24 preludes and fugues, arranged for SATB saxophone quartet, BWV 846-869


77.95 USD

vendedor Musik Fabrik
PDF, 11.40 Mb ID: SM-000338550 data do carregamento: 23 jul 2018
Instrumentação
Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano
Composição para
Quarteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 24 de 24
Arrajador
Paul Wehage
Editora
Musik Fabrik
dificuldade
Advanced
duração
90'0
Ano de composição
1720
Gênero
Clássico/Música de Câmara
J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chords
sound through discretely sustaining these voices through resonance.

The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso” ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.

The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
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