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Riu, Riu, Chiu
Классика/Транскрипция • 2012 • Автор текста: Unknown (works before 1850)
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For SSA voices
Название пользователя: Riu, Riu, Chiu for SSA voices
Инструменты |
Треугольник, Бубен, Кастаньеты, Женский хор, Детский хор, Кротали, Ударные |
Состав исполнителей |
Солисты, Трио, Хор |
Тип нот |
Вокальная партитура |
Тональность |
Соль минор |
Части |
1 до 1 из 1 |
Аранжировщик |
Joan Yakkey |
Издатель |
Joan Yakkey |
Язык |
Испанский |
Уровень сложности |
Средний уровень |
Время звучания |
2'0 |
This is a classical setting of an early Christmas Carol, a Spanish Villancico on poetry about the Nativity of Christ and the Immaculate Conception. It is a lively rhythmic famous song that would be greatly enhanced if accompanied by percussion instruments. We have included three verses and music written in full so singers don't need to flip back and forth from Refrains to Verses. The vocal setting is for three women's or girl's or treble voices: SSA. This melody has also been arranged for SSAB voices by the author
For SSAB voices
Название пользователя: Riu, Riu, Chiu for SSAB voices
Инструменты |
Бубен, Деревянный барабан, Кротали, Ударные, Смешанный хор: Сопрано, Альт, Бас |
Состав исполнителей |
Квартет, Хор |
Тип нот |
Вокальная партитура |
Тональность |
Ля минор |
Части |
1 до 1 из 1 |
Аранжировщик |
Joan Yakkey |
Издатель |
Joan Yakkey |
Язык |
Испанский |
Уровень сложности |
Средний уровень |
Время звучания |
2'0 |
This is a classical setting of an early Christmas Carol, a Spanish Villancico on poetry about the Nativity of Christ and the Immaculate Conception. It is a lively rhythmic famous song that would be greatly enhanced if accompanied by percussion instruments. We have included three verses and music written in full so singers don't need to flip back and forth from Refrains to Verses. The vocal setting is for four mixed voices, a situation of many groups where there are more girls than boys, more women than men singing: SSAB (Baritone or Bass). This piece has also been arranged for SSA voices by the author.
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