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String Quartet No.1
Классика/Камерная музыка • 1992
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1st Movement
Название пользователя: String Quartet No.1, 1st Movement
Инструменты |
Скрипка, Альт, Виолончель |
Состав исполнителей |
Квартет |
Тип нот |
Партитура |
Тональность |
До минор |
Части |
1 до 1 из 3 |
Издатель |
Matthew Reid |
Уровень сложности |
Выше среднего |
Время звучания |
7'39 |
A fiery and expressive movement in a neo-classical style. A piece that is both modern sounding and accessible to audiences - think Bach meets Prokofiev.
The Quartet #1 consists of three movements each with two melodies. The two melodies' materials are the same in each movement, but cleverly and almost imperceptively altered.
Have a listen to the excerpt from the fugal development.
A challenge for both professional performers and ambitious hobbyists.
2nd Movement
Название пользователя: String Quartet No.1, 2nd Movement
Инструменты |
Скрипка, Альт, Виолончель |
Состав исполнителей |
Квартет |
Тип нот |
Партитура |
Тональность |
Ми-бемоль мажор |
Части |
2 до 2 из 3 |
Издатель |
Matthew Reid |
Уровень сложности |
Выше среднего |
Время звучания |
8'44 |
The expressive and moving second movement depicts a struggle against oppression and ugliness. An ever growing chorale again and again bursts free from a harsh re-interpretation of the 1st movement's second theme. After a defiant and passionate climax, it is slowly and quietly defeated. A piece that is both modern sounding and accessible to audiences - think Beethoven meets Shostakovich.
Have a listen to the excerpt of the opening exposition.
3rd Movement
Название пользователя: String Quartet No.1, 3rd Movement
Инструменты |
Скрипка, Альт, Виолончель |
Тип нот |
Партитура |
Тональность |
До мажор |
Части |
3 до 3 из 3 |
Издатель |
Matthew Reid |
Уровень сложности |
Выше среднего |
Время звучания |
6'29 |
The playful and joyful conclusion. A thumb in the nose at authoritarianism depicted by quick moving harmonies and a polyphonic texture. Modern sounding but also accessible to listeners. A combination of the worlds of Bach and Prokofiev. Listen to the excerpt of the opening exposition.
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