| |
Vollpartitur, MVWV 517-520
Titel nach Uploader: Oratorium No.2, Gospel of Philip, MVWV 517-520
Instrumentierung |
Klavier, Orgel, Flöte, Klarinette, Fagott, Oboe, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Kleine Trommel, Glockenspiel, Gong, Marimba, Pauke, Tamtam, Sopran, Mezzosopran, Alt, Bariton, Gemischter Chor, Kontrafagott, Grosse Trommel, Bassklarinette, Altflöte |
Partitur für |
Solisten, Chor, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
360'0 |
his is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
Total amount of instruments:
Piccolo, 8 flutes, Alto flute, Bass flute, 8 Oboes, Cor anglais, Oboe d'amore, 8 Clarinets, 4 Bass clarinet, 8 Bassoons, 4 Contra bassoons.
8 Horns, 8 Trumpets, 8 trombone's , 4 Tuba's
2 Piano's, 2 Organs, 3 Harp, 2 celesta's
4 sets of timpani, 3 Gongs, Tam tam, Glockenspiel, Sleigh bells, Temple blocks, Triangle, Marimba, Bass marimba, Bass drum, snare drum, Anvil.
6 Soprano's , 4 alto's , 2 Counter tenor, 4 tenor, 1 Baritone, 4 Bass,
Choir
No.1a, MVWV 517
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.1a, MVWV 517
Instrumentierung |
Klavier, Sopran, Alt |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
13'49 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.1b, MVWV 517
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.1b, MVWV 517
Instrumentierung |
Klavier, Orgel, Flöte, Klarinette, Fagott, Oboe, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Kleine Trommel, Glockenspiel, Gong, Marimba, Pauke, Tamtam, Mezzosopran, Alt, Kontrafagott, Grosse Trommel, Bassklarinette, Altflöte |
Partitur für |
Solisten, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Schwer |
Länge |
27'24 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.1c, MVWV 517
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.1c, MVWV 517
Instrumentierung |
Celesta, Orgel, Fagott, Horn, Posaune, Tuba, Pauke, Gemischter Chor, Grosse Trommel |
Partitur für |
Großes Ensemble (9 oder mehr Musiker) |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Schwer |
Länge |
11'2 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.2a, MVWV 518
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.2a, MVWV 518
Instrumentierung |
Klavier, Fagott, Sopran |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
17'25 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.2b, MVWV 518
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.2b, MVWV 518
Instrumentierung |
Celesta, Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Englischhorn, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Harfe, Kleine Trommel, Gong, Triangel, Pauke, Tamtam, Kontrafagott, Klanghölzer, Grosse Trommel, Bassklarinette, Tempelblock, Altflöte, Oboe d'amore, Bassflöte, Amboss, Schlittengeläut |
Partitur für |
Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
18'20 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.2c, MVWV 518
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.2c, MVWV 518
Instrumentierung |
Alt, Tenor, Bariton, Bass |
Partitur für |
Solisten |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Schwer |
Länge |
10'25 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.3a, MVWV 519
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.3a, MVWV 519
Instrumentierung |
Flöte, Fagott, Alt |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Schwer |
Länge |
10'52 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.3b, MVWV 519
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.3b, MVWV 519
Instrumentierung |
Klavier, Orgel, Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Kleine Trommel, Glockenspiel, Gong, Marimba, Pauke, Tamtam, Mezzosopran, Alt, Kontrafagott, Grosse Trommel, Altflöte, Kontra-Altklarinette |
Partitur für |
Solisten, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
28'45 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.3c, MVWV 519
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.3c, MVWV 519
Instrumentierung |
Klavier, Celesta, Orgel, Fagott, Glockenspiel, Sopran, Countertenor, Tenor, Bariton, Bass, Grosse Trommel |
Partitur für |
Solisten, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Schwer |
Länge |
11'2 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.4a, MVWV 520
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.4a, MVWV 520
Instrumentierung |
Klavier, Flöte, Fagott, Horn, Posaune, Trompete, Tuba, Kleine Trommel, Pauke, Gemischter Chor, Grosse Trommel |
Partitur für |
Solisten, Chor, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Sprache |
Englisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
34'22 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
No.4b, MVWV 520
Titel nach Uploader: Oratorium No.2, Gospel of Philip No.4b, MVWV 520
Instrumentierung |
Klavier, Orgel, Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Kleine Trommel, Glockenspiel, Gong, Marimba, Pauke, Tamtam, Sopran, Alt, Kontrafagott, Grosse Trommel, Bassklarinette, Altflöte |
Partitur für |
Solisten, Sinfonieorchester |
Art der Partitur |
Partitur |
Verleger |
Maurice Verheul |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
28'22 |
This work I wrote for extended orchestra , ensemble, small ensemble, etc
This is my second oratorio and one of two prologue’s to my Grand play “Judas Christ”
This work is titled Gospel of Phillip and it consist of 11 parts.
The work is found at Naq hamadi , Egypt in 1945. The work was buried in a cave were an peasant found it again when it went lost around the 3th century.
The work is called “Gospel of Phillip” because it mentioned his name and is the only Apostle mentioned. This gospel is one of gnostic gospels we know.
The work is written around 150 to 300 ad. There are some very different insights compared to the other non-gnostic gospels we know.
The Gospel emphasizes the sacramental nature of the embrace between man and woman in the nuptial chamber, which is an archetype of spiritual unity, which entails the indissoluble nature of spiritual marriage.
The Gospel of Philip tells that Jesus married Mary Magdalene. Much of the Gospel of Philip is dedicated to a discussion of marriage as a sacred mystery, and two passages refer directly to Mary Magdalene and her close relationship with Jesus.
I made this work in a time line, a sort of 4 dimensions of you like. The work is divided in 4 parts: Crucefixio, Dolore, Ressurection and Libera me and each part is divided in 3 plays which are performed in three different spaces within the concert hall.
When piece 1of Crucefixio starts, it starts in a small concert hall not all people can see this but on the way to the large hall where part 2 takes place is a line of Flat screens where they can see what is happening and throughout the building there will be loudspeakers so everyone can hear it. In the last 5 minutes of part one everyone must go to the main concert hall for part two. Every one walks in sound now because they are walking along the Flat screens and loud speakers. The large orchestra is starting 1 minute before the end of part 1 in the same “time/ stroke” which is 40 MM. This continues for every part.
The concert public is always moving between 2 or 3 locations in the concert hall.
|
Noten 12
- Vollpartitur, MVWV 517-520
- No.1a, MVWV 517
- No.1b, MVWV 517
- No.1c, MVWV 517
- No.2a, MVWV 518
- No.2b, MVWV 518
- No.2c, MVWV 518
- No.3a, MVWV 519
- No.3b, MVWV 519
- No.3c, MVWV 519
- No.4a, MVWV 520
- No.4b, MVWV 520
|
|