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Für Stimme und Klavier
Titel nach Uploader: The Barber of Seville. Aria Figaro 'Largo al factotum', for Voice and Piano
Instrumentierung |
Klavier, Stimme |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Verleger |
PlaceArt |
Sprache |
Englisch, Italienisch |
Schwierigkeitsgrad |
Fortgeschritten |
For russian folk orchestra
Titel nach Uploader: Cavatina of Figaro
Instrumentierung |
Knopfakkordeon, Flöte, Piccoloflöte, Oboe, Trompete, Balalaika, Domra, Gusli |
Partitur für |
Solo, Orchester für russische Volksinstrumente |
Art der Partitur |
Partitur |
Arrangeur |
Gregory Deriugin |
Verleger |
Gregory Deriugin |
Genre |
Blues/Instrumentalmusik |
For Bayan and Orchestra of Russian folk instruments
Für Klavier
Titel nach Uploader: Россини - Каватина Фигаро
Instrumentierung |
Klavier, Stimme |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Verleger |
Aleksander Pavlov |
Sprache |
Italienisch, Russisch |
Schwierigkeitsgrad |
Fortgeschritten |
Jahr der Komposition |
2012 |
Genre |
Klassische Musik/Arie |
Из оперы "Сивильский цирюльник"
For string trio – parts
Titel nach Uploader: Largo al Factotum from The Barber of Seville
Instrumentierung |
Geige, Bratsche, Cello |
Partitur für |
Trio |
Art der Partitur |
Stimmen |
Arrangeur |
Andrei Visotsky |
Für Streichquartett – Stimmen
Titel nach Uploader: Largo al Factotum from The Barber of Seville
Instrumentierung |
Geige, Bratsche, Cello |
Partitur für |
Quartett |
Art der Partitur |
Partitur, Stimmen |
Arrangeur |
Andrei Visotsky |
For voice and piano (Italian/English)
Titel nach Uploader: Largo al factotum della città. Cavatina for Baritone (Il barbiere di siviglia) – Italian/English
Instrumentierung |
Klavier, Bass |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Verleger |
Ricordi |
Sprache |
Englisch, Italienisch |
Genre |
Klassische Musik/Arie |
Largo al factotum della città: Cavatina for Baritone (Figaro). G. Rossini: il barbiere di siviglia (The barber of Seville), Act. 1, Sc. 1. Vocal Score. Ed. Schirmer. 1900). Italian/English. Sheet Music (A4). High Resolution scans (600 dpi)
Für Stimme und Klavier
Titel nach Uploader: Largo al factotum della città. Aria (Cavatina) for Baritone (Il barbiere di siviglia) – Italian
Instrumentierung |
Klavier, Bass |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Verleger |
Ricordi |
Sprache |
Italienisch |
Genre |
Klassische Musik/Arie |
Largo al factotum della città: Aria (Cavatina) for Baritone (Figaro). G. Rossini: Il barbiere di siviglia (The barber of Seville), Act I Sc. 1. Vocal Score. Ed. Ricordi. 1869. Italian. Sheet Music (A4). High Resolution scans (600 dpi)
Für Stimme und Klavier
Titel nach Uploader: Largo al factotum della citta
Instrumentierung |
Klavier, Stimme |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Übersetzer |
Theodore Baker |
Verleger |
Idris Sukubo |
Sprache |
Englisch, Italienisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
4'57 |
Genre |
Klassische Musik/Oper |
From the opera Il barbiere di Siviglia
Instrumentierung |
Klavier, Stimme |
Genre |
Klassische Musik |
For woodwind quintet
Titel nach Uploader: Rossini: Figaro's Aria from 'The Barber of Seville' for Woodwind Quintet
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe, Horn |
Partitur für |
Quintett, Bläserensemble |
Art der Partitur |
Partitur, Stimmen |
Tonart |
C-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Darrell Goforth |
Verleger |
Darrell Goforth |
Schwierigkeitsgrad |
Schwer |
Länge |
4'30 |
Jahr der Komposition |
1816 |
This aria is the opera's introduction to the character of Figaro and occurs in the first act of Rossini's "The Barber of Seville". It is a companion piece to the Overture which was published earlier. Everyone is familiar with Figaro both from operatic literature and from Warner Brothers' cartoons. And who doesn't love Bugs Bunny?
Comments and inquiries are always welcome by email at dgoforth2@comcast.net
Also, please like my Facebook page at facebook.com/GoForthMusic and my YouTube channel at https://www.youtube.com/user/dgoforth2
For solo and string orchestra
Titel nach Uploader: String Chamber Series: Barber of Seville (Largo al Factotum)
Instrumentierung |
Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Solo, Streichorchester |
Art der Partitur |
Partitur, Stimmen |
Arrangeur |
9Siblingz |
Verleger |
9Siblingz |
Schwierigkeitsgrad |
Fortgeschritten |
Genre |
Klassische Musik/Arie |
9Siblingz presents to you the famous aria "Largo al factotum" or "Figaro's Aria" from Rossini's opera The Barber of Seville. Arranged for solo cello and string orchestra. Contains conductor's score and parts. This arrangement is of medium difficulty (grades 5-6) with slightly advanced cello part (grade 7).
Instrumentierung |
Klavier, Geige |
Genre |
Klassische Musik |
Für Stimme und Klavier
Titel nach Uploader: Rossini - Largo al factotum della città
Instrumentierung |
Klavier, Geige |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Schwierigkeitsgrad |
Mittel |
Genre |
Klassische Musik/Konzert |
This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Rossini Gioacchino (Rossini Gioacchino ), for Violin and Piano.
Für Stimme und Klavier
Titel nach Uploader: Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Instrumentierung |
Klavier, Bariton |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Klavierauszug mit Singstimmen |
Tonart |
C-Dur |
Arrangeur |
Nicole DiPaolo |
Verleger |
Nicole DiPaolo |
Sprache |
Italienisch |
Schwierigkeitsgrad |
Sehr schwer |
Länge |
7'0 |
Jahr der Komposition |
1816 |
Genre |
Klassische Musik/Oper |
The first of its kind, this is a genuinely playable piano/vocal reduction of "Largo al factotum,” the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!
Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.
All Accessible Accompaniments, including this one, boast several unique features:
1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.
2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.
3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.
4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.
5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.
6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß” with “ss” in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations.
C-Dur
Titel nach Uploader: Rossini - Largo al factotum della città in C Major
Instrumentierung |
Klavier, Stimme |
Art der Partitur |
Klavierauszug mit Singstimmen |
Schwierigkeitsgrad |
Mittel |
Genre |
Klassische Musik/Vokalmusik |
This product is a digital sheet music in PDF format. The music was composed by Rossini (Gioacchino Rossini ), for Voice and Piano.
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