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For three voices (SABar.)
Title by uploader: Mass for 3 voices (SABar.)
Instrumentation |
Mixed choir: Soprano, Alto, Tenor, Bass |
Scored for |
Soloists, Trio, Choir |
Type of score |
Vocal score |
Key |
D major |
Movement(s) |
1 to 7 from 7 |
Arranger |
Joan Yakkey |
Publisher |
Joan Yakkey |
Language |
Latin |
Difficulty |
Medium |
Duration |
20'0 |
Genre |
Religious/Christian |
This is a Renaissance Latin Mass written by the Italian Renaissance composer who was quite famous and wealthy during his life: Giuliano Buonaugurio da Tivoli; all 5 sections included. The entire Mass is 28 pages and is set here for Soprano - Mezzosoprano - Baritone. It also works in a higher key for SSA female voices. I will also upload some separate sections to provide a smaller download. It can be sung a cappella by a choir or by soloists, it can be sung together with instruments doubling the vocal parts as was done in the 16th c., or it can be performed by only instruments such as Winds and Strings for Church services, concerts or Renaissance Dinners etc. The music is haunting and has interesting changes in tempo and tonality (modality). It is not difficult music to interpret, I would say it's necessary to be able to read music properly. Audio files for the separate voices can be developed from the Sibelius score that I developed transcribing the notation, and can be provided upon request.
For three voices (SSA)
Title by uploader: Mass for 3 voices (SSA)
Instrumentation |
Female choir |
Scored for |
Trio, Choir, Wind ensemble |
Type of score |
Vocal score |
Key |
G major |
Movement(s) |
1 to 7 from 7 |
Arranger |
Joan Yakkey |
Publisher |
Joan Yakkey |
Language |
Latin |
Difficulty |
Advanced |
Duration |
20'30 |
This is a Performance Vocal score of a Mass from the Renaissance period, 16th c. transcribed from a score in C clefs of the time, for women's choir or three soloists: Soprano - Mezzosoprano - Alto of a Mass written by Giuliano Buonaugurio da Tivoli, better known as Giuliano Tiburtino. He lived in Central Italy during the first half of the 16th century. He was famous and wealthy during his lifetime. The music can be performed a cappella (with an Ensemble or by soloists) or with Instrumental doubling (Winds or Strings). It can also be performed by instruments alone or with Instrument/s on the lower voice/s and one or two sopranos singing. The Mass is complete, including 7 parts: Kyrie - Gloria - Credo - Sanctus/Benedictus - Agnus Dei (I-II-III). It is all in traditional Latin. This is new repertory for lovers of Early Music, ideal for either a Religious Service or a Concert Venue.
Kyrie
Title by uploader: Kyrie from Renaissance Mass for 3 voices
Instrumentation |
Piano, Mixed choir |
Scored for |
Accompanying piano, Choir |
Type of score |
Piano-vocal score |
Key |
D major |
Movement(s) |
1 to 1 from 7 |
Arranger |
Joan Yakkey |
Publisher |
Joan Yakkey |
Language |
Latin |
Difficulty |
Medium |
Duration |
2'40 |
This is the first part of a Latin Mass written by the Italian Renaissance composer who was quite famous and wealthy during his life: Giuliano Buonaugurio da Tivoli. The entire Mass is 28 pages and can be searched under "Reaniassance Mass for 3 voices". It is set here for SABaritone voices with accompanying keyboard part for rehearsal; it can be sung by either a choral ensemble or by soloists. It also works in a higher key for SSA female voices. It also can be sung together with instruments doubling the vocal parts as was done in the 16th c., or it can be performed by only instruments such as Winds and Strings for Church services, concerts or Renaissance Dinners etc. The music is haunting and has interesting changes in tempo and tonality (modality). It is not difficult music to interpret, I would say it's necessary to be able to read music properly.
Gloria
Title by uploader: Gloria from Renaissance Mass for 3 voices
Instrumentation |
Piano, Mixed choir |
Scored for |
Soloists, Accompanying piano, Trio, Choir, Wind ensemble |
Type of score |
Piano-vocal score |
Key |
D major |
Movement(s) |
2 to 2 from 7 |
Arranger |
Joan Yakkey |
Publisher |
Joan Yakkey |
Language |
Latin |
Difficulty |
Advanced |
Duration |
6'0 |
This is a Performing Edition for Soprano-Alto and Baritone voices (choral Ensemble or Soloists) of a Mass written around 1540 by the Italian Renaissance composer Giuliano Buonaugurio da Tivoli, better known as Giuliano Tiburtino. This composer was famous and rich, he was the Chapel Composer (Kappelmeister) at the Cathedral in Tivoli, Italy, in the first half of the 16th century. He also worked for Pope Paul III from 1544.
I am providing a keyboard accompaniment for rehearsals for the Gloria. Also the Kyrie has been uploaded with a rehearsal accompaniment. The Gloria is an extract of 7 parts of the Mass, it is an important part of the work; the whole mass has also been uploaded on Musicaneo as a Vocal Score. Also the SSA version has been uploaded (Renaissance Mass for 3 voices SSA).
I would think originally this music was performed by three male voices, Countertenor, Tenor, Baritone or Tenor, Baritone, Bass. This is modal music and can be sung at any pitch.
The score can be sung a cappella by a choral ensemble or by three solists. It can also be performed with accompanying Wind or String instruments that can double the vocal parts. It can also be performed solely by instruments.
Agnus Dei I-III
Title by uploader: Agnus Dei I-II-III from Renaissance Mass
Instrumentation |
Organ, Female choir |
Scored for |
Soloists, Accompanying piano, Trio, Choir |
Type of score |
Full score |
Key |
G major |
Movement(s) |
5 to 7 from 7 |
Arranger |
Joan Yakkey |
Publisher |
Joan Yakkey |
Language |
Latin |
Difficulty |
Easy |
Duration |
3'30 |
This is a performing edition for 3 upper voices (soloists or choral ensemble) of the three Agnus Dei (including the Dona Nobis Pacem) from the Renaissance Mass Beatae Mariae Virginis by Giuliano Buonaugurio da Tivoli who died in 1569. This Italian Renaissance composer was very prolific, he wrote many instrumental and vocal works for Church services and Festive occasions.
The present arrangement includes an Organ part than fills out the harmonies of the vocal music. A keyboard or piano can be substituted. The music can be performed a cappella - with accompanying Organ - or with Organ and Wind and/or String instruments doubling the vocal parts. It is a piece for lovers of Early Music.
Agnus Dei is often played during Communion, at Vespers and at Funerals. This music can also be included in a Concert Program, for singers or for instrumentalists.
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