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The Queen of Spades, TH 10 Op.68 • Suite
Classical/Symphonic music • 1890 • Alternative Title: The Queen of Spades Suite
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For orchestra – full score
Title by uploader: Tchaikovsky (arr. Lee): Pique Dame (The Queen of Spades) Suite for Orchestra, Full Score, Op.68
Instrumentation |
Flute, Flute piccolo, Clarinet, Bassoon, Oboe, Horn, Trumpet, Violin, Viola, Cello, Double bass, Timpani |
Scored for |
Chamber orchestra, Symphonic orchestra |
Type of score |
Full score |
Key |
D major |
Movement(s) |
1 to 3 from 3 |
Arranger |
Yoon Jae Lee |
Publisher |
Ondine Press |
Difficulty |
Medium |
Duration |
9'0 |
Instrumentation: 2+1. 2. 2. 2 - 4. 2. 0. 0 - tp - str
Three movements from Act II of compiled and arranged in the manner of an 18th century Italian sinfonia in D Major. Tchaikovsky adored Mozart's music and his influence can be greatly felt in the entire Act II of Pique Dame. The first movement is the No. 11 Entr'acte without the choral parts. The second movement is arrangement of Prilepa and Milovzortaken's duet with from No. 14, and the finale is taken from the Shepherds Chorus.
View perusal score:
http://issuu.com/ondinepress/docs/00_full_score
For orchestra – set of parts
Title by uploader: Tchaikovsky (arr. Lee): Pique Dame (The Queen of Spades) Suite for Orchestra, Set of Parts, Op.68
Instrumentation |
Flute, Flute piccolo, Clarinet, Bassoon, Oboe, Horn, Trumpet, Violin, Viola, Cello, Double bass, Timpani |
Scored for |
Chamber orchestra, Symphonic orchestra |
Type of score |
Parts |
Key |
D major |
Movement(s) |
1 to 3 from 3 |
Arranger |
Yoon Jae Lee |
Publisher |
Ondine Press |
Difficulty |
Medium |
Duration |
9'0 |
Instrumentation: 2+1. 2. 2. 2 - 4. 2. 0. 0 - tp - str
This is a set of parts to three movements from Act II of compiled and arranged in the manner of an 18th century Italian sinfonia in D Major. Tchaikovsky adored Mozart's music and his influence can be greatly felt in the entire Act II of Pique Dame. The first movement is the No. 11 Entr'acte without the choral parts. The second movement is arrangement of Prilepa and Milovzortaken's duet with from No. 14, and the finale is taken from the Shepherds Chorus.
View perusal score:
http://issuu.com/ondinepress/docs/00_full_score
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