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Men With Small Heads — a comic cycle
Classical/Song • 2000 • Lyricist: Thomas Lux
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For baritone and piano (priced for 2 copies)
Title by uploader: Men With Small Heads — a comic cycle for baritone and piano (priced for 2 copies)
Instrumentation |
Piano, Baritone |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Publisher |
Enchanted Knickers Music |
Language |
English |
Difficulty |
Difficult |
Duration |
11'0 |
My daughter Diana introduced me to the work of Thomas Lux, one of her favorite poets. When I first read Men with Small Heads I thought the text might be impossible to set to music. However, as I delved further into Mr. Lux's poems I came to appreciate their incredible structure, and my imagination ran wild. Several musical motifs dominate and unify Men with Small Heads. (The piano quotation of America The Beautiful at the end is intentional.) Refrigerator, 1957 is a musical fantasy. Reminiscent of French songs, the opening veers into a 3/4 section as the subject, "maraschino cherries," is introduced. Humorous tidbits (including a nod to Italian opera with the phrase “glob of ice cream”) lead to a lyrical and touching close. Imitation figures prominently in A Small Tin Parrot Pin as the piano punctuates the singer's offbeat observations. Snake Lake uses hissing to emphasize the recurring "s" sound in the poem. The "squiggly" musical figures employed in both voice and piano symbolize swimming and water, and the accented notes are meant to portray the lurking danger — and sting — of a snake bite.
Please visit the Men with Small Heads cycle page on artsongs.com to see videos and listen to recordings.
For countertenor and piano (priced for 2 copies)
Title by uploader: Men With Small Heads — a comic cycle for countertenor and piano (priced for 2 copies)
Instrumentation |
Piano, Countertenor |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Publisher |
Enchanted Knickers Music |
Language |
English |
Difficulty |
Difficult |
Duration |
11'0 |
My daughter Diana introduced me to the work of Thomas Lux, one of her favorite poets. When I first read Men with Small Heads I thought the text might be impossible to set to music. However, as I delved further into Mr. Lux's poems I came to appreciate their incredible structure, and my imagination ran wild. Several musical motifs dominate and unify Men with Small Heads. (The piano quotation of America The Beautiful at the end is intentional.) Refrigerator, 1957 is a musical fantasy. Reminiscent of French songs, the opening veers into a 3/4 section as the subject, "maraschino cherries," is introduced. Humorous tidbits (including a nod to Italian opera with the phrase “glob of ice cream”) lead to a lyrical and touching close. Imitation figures prominently in A Small Tin Parrot Pin as the piano punctuates the singer's offbeat observations. Snake Lake uses hissing to emphasize the recurring "s" sound in the poem. The "squiggly" musical figures employed in both voice and piano symbolize swimming and water, and the accented notes are meant to portray the lurking danger — and sting — of a snake bite.
Please visit the Men with Small Heads cycle page on artsongs.com to see videos and listen to recordings.
For mezzo-soprano and piano (priced for 2 copies)
Title by uploader: Men With Small Heads — a comic cycle for mezzo-soprano and piano (priced for 2 copies)
Instrumentation |
Piano, Mezzo-soprano |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Publisher |
Enchanted Knickers Music |
Language |
English |
Difficulty |
Difficult |
Duration |
11'0 |
My daughter Diana introduced me to the work of Thomas Lux, one of her favorite poets. When I first read Men with Small Heads I thought the text might be impossible to set to music. However, as I delved further into Mr. Lux's poems I came to appreciate their incredible structure, and my imagination ran wild. Several musical motifs dominate and unify Men with Small Heads. (The piano quotation of America The Beautiful at the end is intentional.) Refrigerator, 1957 is a musical fantasy. Reminiscent of French songs, the opening veers into a 3/4 section as the subject, "maraschino cherries," is introduced. Humorous tidbits (including a nod to Italian opera with the phrase “glob of ice cream”) lead to a lyrical and touching close. Imitation figures prominently in A Small Tin Parrot Pin as the piano punctuates the singer's offbeat observations. Snake Lake uses hissing to emphasize the recurring "s" sound in the poem. The "squiggly" musical figures employed in both voice and piano symbolize swimming and water, and the accented notes are meant to portray the lurking danger — and sting — of a snake bite.
Please visit the Men with Small Heads cycle page on artsongs.com to see videos and listen to recordings.
For baritone and piano – down M2 from original (priced for 2 copies)
Title by uploader: Men With Small Heads – a comic cycle for baritone and piano – down M2 from original (priced for 2 copies)
Instrumentation |
Piano, Baritone |
Scored for |
Solo, Accompanying piano |
Type of score |
Piano-vocal score |
Publisher |
Enchanted Knickers Music |
Language |
English |
Difficulty |
Difficult |
Duration |
11'0 |
This is a new edition, down M2 from the original and the range is Ab 2 - F4.
My daughter Diana introduced me to the work of Thomas Lux, one of her favorite poets. When I first read Men with Small Heads I thought the text might be impossible to set to music. However, as I delved further into Mr. Lux's poems I came to appreciate their incredible structure, and my imagination ran wild. Several musical motifs dominate and unify Men with Small Heads. (The piano quotation of America The Beautiful at the end is intentional.) Refrigerator, 1957 is a musical fantasy. Reminiscent of French songs, the opening veers into a 3/4 section as the subject, "maraschino cherries," is introduced. Humorous tidbits (including a nod to Italian opera with the phrase “glob of ice cream”) lead to a lyrical and touching close. Imitation figures prominently in A Small Tin Parrot Pin as the piano punctuates the singer's offbeat observations. Snake Lake uses hissing to emphasize the recurring "s" sound in the poem. The "squiggly" musical figures employed in both voice and piano symbolize swimming and water, and the accented notes are meant to portray the lurking danger — and sting — of a snake bite.
Please visit the Men with Small Heads cycle page on artsongs.com to see videos and listen to recordings.
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