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Score, solo part
Title by uploader: 6 sonatas and partita in E Major, BWV 1014-1019
Instrumentation |
Piano, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Solo part |
Score, solo part
Title by uploader: Six Sonatas for Violin and Harpsichord (or Piano), BWV 1014-1019
Instrumentation |
Piano, Harpsichord, Violin |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Solo part |
Movement(s) |
1 to 6 from 6 |
Difficulty |
Advanced |
Score, solo part
Title by uploader: Bach - 6 Sonatas for Flute and Harpsichord or Piano, BWV 1014/19
Instrumentation |
Harpsichord, Flute |
Scored for |
Duo |
Type of score |
Score for two performers, Solo part |
Movement(s) |
1 to 6 from 6 |
Arranger |
Santino Cara |
Publisher |
Santino Cara |
Difficulty |
Advanced |
Complete scores and part of the "Six Sonatas BWV 1014/19" for Flute and Harpsichord or Piano. Transcribed by Santino Cara from the "Six Violin Sonatas" composed in Cöthen by Johann Sebastian Bach between 1717 and 1723.
Sonatas:
Sonata No.1 in B minor BWV 1014
Sonata No.2 in A major BWV 1015
Sonata No.3 in E major BWV 1016
Sonata No.4 in C minor BWV 1017
Sonata No.5 in F minor BWV 1018
Sonata No.6 in G major BWV 1019
Solo part
Title by uploader: Six Sonatas for Violin (or Viola) and Keyboard – Viola Part, BWV 1014-1019
Instrumentation |
Viola |
Scored for |
Duo |
Type of score |
Score for two performers |
Arranger |
Friedrich Hermann |
Publisher |
Breitkopf und Härtel |
Difficulty |
Advanced |
Genre |
Classical/Arrangement |
Arrangement for soprano saxophone and keyboard
Title by uploader: J. S. Bach: Six Sonatas, arranged for soprano saxophone and keyboard by Paul Wehage, BWV 1014-1019
Instrumentation |
Piano, Soprano Saxophone |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Solo part |
Movement(s) |
1 to 20 from 20 |
Arranger |
Paul Wehage |
Publisher |
Musik Fabrik |
Difficulty |
Advanced |
Duration |
75'0 |
Year of composition |
1720 |
n 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites.
The first five sonatas are in the four movement “Church Sonata” style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata” texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
The Sonata number 6 which is in a five movement form, including a central movement for Solo Keyboard. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata” texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
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