Publish, sell, buy and download sheet music and performance licenses!
Basket
My Account
Login
Register
Upload Sheet Music
Instruments
Piano
Violin
Guitar
Flute
Clarinet
Trumpet
Cello
Viola
More
Genres
Film / TV / Show
Pop
Classical
Jazz
Rock
Religious
More
Catalogue
Browse sheet music
Composers
Popular Artists / Authors
Performance Licenses
Free Sheet Music
Publish
Publish Sheet Music
Community
Contributing Members
Members' Postings
Music Competitions
Music Jobs
Blog
Projects
En
De
Ru
Pt
Tweet
Lori Laitman
Beauty — for soprano, bass-baritone, cello and piano (priced for 4 copies, includes score and cello part))
Classical/Song • 2018 • Lyricist: Ralph Waldo Emerson
Beauty — for soprano, bass-baritone, cello and piano (priced for 4 copies, includes score and cello part))
Look
inside
Sheet music file
20.00
USD
Seller
Lori Laitman
PDF, 4.46 Mb ID: SM-000597314
Upload date: 08 Feb 2024
Instrumentation
Piano, Cello, Soprano, Baritone, Bass
Scored for
Quartet
Type of score
Full score
Publisher
Enchanted Knickers Music
Language
English
Difficulty
Advanced
Duration
4'48
This song was commissioned by The University of Massachusetts Amherst for soprano Jamie-Rose Guarrine and bass-baritone Seth Keeton. Jamie-Rose had requested I use an excerpt from The Poet, an essay by Ralph Waldo Emerson. The essay’s closing passage appealed to me, both for its poetic language (I found the repetition of “wherever” cast an almost-hypnotic spell) and its message of appreciation for beauty everywhere. I began work in July 30, 2017, and after a hiatus, returned to finish in April 2018.
I first wrote the song for two voices and piano, but upon adding the cello, I found its counterpoint and timbre helped to propel the song. Beauty opens with the cello presenting the main “wherever” motive (a rising three note pattern), which is later taken up by the voices. All float above the piano’s two bar rising and falling figuration (suggestive of breathing), which creates a meditative spell with its repetitions. Other word painting is employed — such as the flowing water motive comprised of 32nd notes or the descending vocal lines for “twilight”. Text repetitions and tempo alterations create a contrasting middle section before the song ends with a variation of the opening, concluding wordlessly with cello and piano.
You can hear the premiere recording on the Transparent Boundaries CD.
Comments
Log in
to post a comment
0:00
00:00
Your browser does not support JavaScript or it is disabled!